Saving Private Ryan (1998)

8.221 /10
16838 Reviews

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As U.S. troops storm the beaches of Normandy, three brothers lie dead on the battlefield, with a fourth trapped behind enemy lines. Ranger captain John Miller and seven men are tasked with penetrating German-held territory and bringing the boy home.

Videos & Photos

Saving Private Ryan

cast

... Captain Miller

... Sergeant Horvath

... Private Reiben

... Private Jackson

... Private Mellish

User reviews

by Wuchak

Great WWII war action in France, but too much of the drama is weak

RELEASED IN 1998 and directed by Steven Spielberg, "Saving Private Ryan" (SPR) is about the Normandy invasion and its immediate aftermath from June 6-16, 1944. The focus is on a Captain (Tom Hanks) and his men who are commissioned to find a paratrooper (Matt Damon) whose brothers have been killed in action.

No one's supposed to say anything bad about SPR. To do so is considered sacrilege, but I have to be honest about what I like and don't like about Spielberg's popular WWII war flick. The initial beach landing (shot at Curracloe Beach, Ballinesker, Ireland) is outstanding, as is the closing half-hour battle at the crumbling village of Ramelle.

In between these two great bookends are a few quality sequences, but I didn't find a lot of the drama all that engaging or convincing. The cast is notable (also including Tom Sizemore, Barry Pepper, Edward Burns, Giovanni Ribisi, Jeremy Davies, Vin Diesel, et al.), but the characters never struck me as real for the most part. I've seen the film three times and each time I was too often conscious of the fact that I was watching actors portraying WWII characters in a movie. When you see a truly great picture, by contrast, you completely forget you're watching a movie, e.g. the original "Apocalypse Now" (1979).

Moreover, too many of the situations in SPR, including the dialogue, simply struck me as unreal or annoyingly treacly. Exhibit A is the moronic dog-tag sequence, which was supposed to be emotionally stirring but just made me roll my eyes. But, like I said, no one can criticize SPR and get away with it, even if the criticism is legitimate. It's like you'll be accused of being un-American or something, which is far from the case with me since I love America; I just can't stand the corrupt government & politicians, particularly the loony DemonKKKraps.

In light of my criticisms, I simply don't get why so many praise SPR as "the greatest war movie ever made." Again, the opening and ending battle sequences are great but the dubious dramatics leave quite a bit to be desired.

I've heard SPR hailed on the grounds that much of it was taken "verbatim from first-hand, eye-witness accounts of the real Normandy invasion." I'll take their word for it, but this isn't what I object to. I object to the contrived, sappy, questionable way Spielberg depicted the dramatics and the fact that I was unable to buy the characters as real. The aforementioned dog-tag sequence is just one example, others include the French father’s stupefying actions and the forced fight at the radar station and how it’s resolved (ooh, the Captain’s a high school teacher, whoopee).

Nevertheless, there IS a lot of good in SPR that makes it worth viewing. You can’t beat the battle sequences, the cast and the convincing WWII visuals throughout.

THE MOVIE RUNS 2 hours, 49 minutes and was shot in Ireland, England and France. WRITER: Robert Rodat.

GRADE: C+/B-

Director:

Steven Spielberg

Writer:

Robert Rodat (Writer)

John Greaves (Storyboard)

Genres:

War Drama History

Release Date:

1998-07-24

Run Time:

169 min

MMPA Rating:

R

Reviews of

Saving Private Ryan

Found 5 reviews in total

by Wuchak

Great WWII war action in France, but too much of the drama is weak

RELEASED IN 1998 and directed by Steven Spielberg, "Saving Private Ryan" (SPR) is about the Normandy invasion and its immediate aftermath from June 6-16, 1944. The focus is on a Captain (Tom Hanks) and his men who are commissioned to find a paratrooper (Matt Damon) whose brothers have been killed in action.

No one's supposed to say anything bad about SPR. To do so is considered sacrilege, but I have to be honest about what I like and don't like about Spielberg's popular WWII war flick. The initial beach landing (shot at Curracloe Beach, Ballinesker, Ireland) is outstanding, as is the closing half-hour battle at the crumbling village of Ramelle.

In between these two great bookends are a few quality sequences, but I didn't find a lot of the drama all that engaging or convincing. The cast is notable (also including Tom Sizemore, Barry Pepper, Edward Burns, Giovanni Ribisi, Jeremy Davies, Vin Diesel, et al.), but the characters never struck me as real for the most part. I've seen the film three times and each time I was too often conscious of the fact that I was watching actors portraying WWII characters in a movie. When you see a truly great picture, by contrast, you completely forget you're watching a movie, e.g. the original "Apocalypse Now" (1979).

Moreover, too many of the situations in SPR, including the dialogue, simply struck me as unreal or annoyingly treacly. Exhibit A is the moronic dog-tag sequence, which was supposed to be emotionally stirring but just made me roll my eyes. But, like I said, no one can criticize SPR and get away with it, even if the criticism is legitimate. It's like you'll be accused of being un-American or something, which is far from the case with me since I love America; I just can't stand the corrupt government & politicians, particularly the loony DemonKKKraps.

In light of my criticisms, I simply don't get why so many praise SPR as "the greatest war movie ever made." Again, the opening and ending battle sequences are great but the dubious dramatics leave quite a bit to be desired.

I've heard SPR hailed on the grounds that much of it was taken "verbatim from first-hand, eye-witness accounts of the real Normandy invasion." I'll take their word for it, but this isn't what I object to. I object to the contrived, sappy, questionable way Spielberg depicted the dramatics and the fact that I was unable to buy the characters as real. The aforementioned dog-tag sequence is just one example, others include the French father’s stupefying actions and the forced fight at the radar station and how it’s resolved (ooh, the Captain’s a high school teacher, whoopee).

Nevertheless, there IS a lot of good in SPR that makes it worth viewing. You can’t beat the battle sequences, the cast and the convincing WWII visuals throughout.

THE MOVIE RUNS 2 hours, 49 minutes and was shot in Ireland, England and France. WRITER: Robert Rodat.

GRADE: C+/B-

This movie should be known for changing Historical War Dramas as we know them. It was the first to accurately depict the carnage of war, and changed the direction of this genre of movies for all time. The initial D-Day scene was fantastic. Afterwards, Tom Hanks is ordered to chose a team of his men and look for James MacGuffin Ryan from Iowa. In order to achieve this goal, Hanks takes us across the entire back drop of world war 2, all the while making us ask, is all this worth just one man?

Honestly it's a must watch and is on my "Difinitive Movie List"

I watched this movie during a project at school. Saving Private Ryan was a beautiful and, above all, realistic film. The film presented in a realistic way how the war went then. Most of the film was set in Europe in 1944. The story is that American soldiers are being sent to Europe to fight against the Germans. The American boy James Francis Ryan is sent to Europe with his brothers as a soldier. After the invasion of Normandy it appears that all his other brothers have already died and he is the only one left. That is why corporal Miller is instructed to look for him and return him home.
The main actors who play in the film are Tom Hanks who plays corporal Miller and Matt Damon who plays the soldier Ryan. You also have all the soldiers in the group of corporal Miller. I think the characters in the film are very well thought out because they contain characters that are very brave, but also characters who have a hard time in the war. With this they show that not every soldier was as heroic as everyone thought.
The film was made on a set that I thought looked very realistic. In the background you saw the buildings that were about to collapse and the shots. I also really liked the sound that came with the film. For example, when a tank arrived, you heard that it was slowly approaching.

Recensie saving private Ryan

Information about the movie
Title: Saving Private Ryan
Regisseur: Steven Spielberg
Most important actors: Tom Hanks as Captain Miller en Matt Damon as Private Ryan
Genre: War, Drama and history
Setting: Normandy, France
Plot: During WWII, Chief of Staff, General Marshall is informed that three of a woman's sons have been killed and that she's going to receive the notifications of their demise at the same time. And when he learns that a fourth son is still unaccounted for, the General decides to send a unit to find him and bring him back, despite being told that it's highly unlikely that he is still alive and the area that he was known to be at is very dangerous. So, the unit consisting of 8 men are sent to find him but as stated it's very dangerous and one by one, they are picked off. Will they find him and how many of them will still be alive?

I saw this movie at school. I think it's a good film because, the director is very good because it seemed like you were really in it because the camera moved with it. In the quiet parts, the image was also quiet and when it became chaotic, the image was also chaotic. The characters were very realistic and felt as if they were really in a war, and for the costumes it looked very real and the same for the decor it looked like you were in war in France. I liked the movie but thought it was a bit too long, so I give it a 9/10.

I don't think I can recall any Hollywood film that depicts the atrocities of the D-Day landings as effectively as this does at the start. Indeed, watching it you wonder just how any of the Allied soldiers managed to ever survive the water let alone fight their way up a beach crowded with tank traps, mines and barbed wire - all whilst under constant machine gun fire. Steven Spielberg leaves very little to our imagination and bodies drop left, right and centre with an authenticity that John Williams scores remarkably poignantly. It's during this seemingly impossible assault that we are introduced to "Miller" (a career-best from Tom Hanks) and his squad who are tasked with taking out one of the heavily defended pill boxes. Meantime, the US Chief of Staff - General George Marshall is informed that one particular lady is about to get three telegrams in one day telling her that her sons have died. There is a fourth - "James" - and the reward for "Miller" and what's left of his group is to find this man and get him home to safety. What's also illustrated quite succinctly here is that despite the most meticulous of planning, nobody really has much of a clue who had landed where, who was alive or dead, and whether or not the master plan was working or not! This makes the new task even more difficult as the men, along with the dragooned interpreter "Upham" (Jeremy Davis) set of in search of a man they don't know with feelings that can only be described as "mixed" about the legitimacy of their mission. What now ensues is a potent story of war and of how the pressures and horrors of constant fear and weariness can corrupt the the most decent of souls. We see these men - decent men - turn into things they would never have thought themselves capable of becoming and the acting really rams that home in a characterful and visceral fashion. Brutality and savagery are not limited to the Nazis and again these images are presented to us with an honesty rather from a rose-tinted good v evil viewpoint and the dialogue has a ripeness and vivacity that rings true, too. It's not devoid of some black humour as we progress through war-torn France before a denouement that combines edge-of-the-seat drama with splendid cinematography and all of the ghastliness of conflict. The men valued each other as much as anything else, their inter-reliance and their determination to get the job done - even if they didn't really know why - is a testament to the attitudes that prevailed throughout the real fighting in Europe during WWII and this dramatisation is stunning. Big screen if you can - but it's really a must watch.

Cast & Crew of

Saving Private Ryan

Cast

... Captain Miller

... Sergeant Horvath

... Private Reiben

... Private Jackson

... Private Mellish

... Private Caparzo

... T/4 Medic Wade

... Corporal Upham

... Private Ryan

... Captain Hamill

... Sergeant Hill

... Lieutenant Colonel Anderson

... Steamboat Willie

... Corporal Henderson

... Toynbe

... Weller

... Parker

... Trask

... Rice

... Garrity

... Wilson

... Lyle

... Fallon

... Major Hoess

... Ramelle Paratrooper

... Ramelle Paratrooper

... Field HQ Major

... Field HQ Aide

... Coxswain

... Delancey

... Lieutenant Briggs

... Radioman

... Soldier on the Beach

... Soldier on the Beach

... Soldier on the Beach

... Soldier on the Beach

... Soldier on the Beach

... Soldier on the Beach

... Soldier on the Beach

... Soldier on the Beach

... Soldier on the Beach

... Soldier on the Beach

... Soldier on the Beach

... Soldier on the Beach

... Soldier on the Beach

... Soldier on the Beach

... Soldier on the Beach

... Soldier on the Beach

... Soldier on the Beach

... Soldier on the Beach

... Corporal

... Doyle

... Senior Medical Officer

... Czech Wehrmacht Soldier

... Goldman

... Private Boyd

... Private Hastings

... German #1

... German #2

... German #3 / Voice on Bullhorn

... Jean's Wife

... Jean's Son

... Jean's Daughter

... Minnesota Ryan

... Lieutenant DeWindt

... Paratrooper Lieutenant

... Paratrooper Oliver

... Paratrooper Michaelson

... Paratrooper Joe

... Paratrooper #1

... Old French Man

... Old French Woman

... MP Lieutenant

... General Marshall

... War Department Colonel

... War Department Colonel

... War Department Captain

... War Department Lieutenant

... War Department Clerk

... Mrs. Margaret Ryan

... Ryan as Old Man

... Old Mrs. Ryan

... Ryan's Son

... Ryan's Grandson

... Ryan's Granddaughter (uncredited)

... Waffen SS Soldier (uncredited)

... Bangalore Assistant (uncredited)

... German Sniper (uncredited)

... Soldier on Beach (uncredited)

... D-Day Soldier (uncredited)

... Letter-reader (voice) (uncredited)

Crew

... Director

... Editor

... Production Design

... Producer

... Original Music Composer

... Director of Photography

... Producer

... Producer

... Set Decoration

... Producer

... Casting

... Writer

... Associate Producer

... Co-Producer

... Associate Producer

... Co-Producer

... Carpenter

... Craft Service

... Boom Operator

... Sound Re-Recording Mixer

... Video Assist Operator

... Best Boy Electric

... Orchestrator

... Supervising Art Director

... Art Direction

... Post Production Supervisor

... Stand In

... Location Manager

... Production Accountant

... Assistant Art Director

... Camera Operator

... Sound Designer

... Art Department Coordinator

... Visual Effects Supervisor

... Driver

... Script Supervisor

... Production Manager

... Sound Mixer

... Art Department Assistant

... Painter

... Electrician

... Seamstress

... Special Effects Coordinator

... Armorer

... First Assistant Editor

... Special Effects Supervisor

... Sound Design Assistant

... Hairstylist

... Art Direction

... First Assistant Camera

... Unit Publicist

... Still Photographer

... Production Illustrator

... Costume Supervisor

... Post Production Assistant

... Stunt Coordinator

... Visual Effects Producer

... Machinist

... Art Direction

... Sculptor

... Production Controller

... Art Direction

... Construction Coordinator

... Assistant Costume Designer

... Color Timer

... Production Coordinator

... Visual Effects Art Director

... Chef

... Dialect Coach

... Makeup Effects

... Set Production Assistant

... Stunts

... Transportation Captain

... Utility Stunts

... Visual Effects Editor

... Storyboard

... Transportation Coordinator

... Music Editor

... Supervising Sound Editor

... Assistant Editor

... CG Artist

... Makeup Artist

... Costume Coordinator

... Key Makeup Artist

... Second Assistant Director

... Negative Cutter

... Assistant Production Coordinator

... Third Assistant Director

... Chief Lighting Technician

... Key Costumer

... Musician

... Tailor

... Marine Coordinator

... Assistant Set Dresser

... Draughtsman

... Casting Assistant

... Key Grip

... Key Set Costumer

... First Assistant Director

... ADR Editor

... Set Costumer

... Foley Editor

... ADR Supervisor

... Aerial Coordinator

... Set Dresser

... Chief Lighting Technician

... Electrician

... Electrician

... Electrician

... Electrician

... Electrician

... Electrician

... Electrician

... Electrician

... Dialogue Editor

... ADR Editor

... Sound Effects Editor

... Sound Effects Editor

... ADR Mixer

... Sound Effects Editor

... Sound Effects Editor

... Property Master

... Dialogue Editor

... ADR Recordist

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Sound Mix Technician

... Carpenter

... Third Assistant Director

... Special Effects Technician

... Camera Car

... Wardrobe Master

... Standby Art Director

... Daily Wardrobe

... Supervising Carpenter

... Foley Artist

... Foley Recordist

... Special Effects Assistant

... Assistant Camera

... Post Production Coordinator

... Assistant Editor

... Assistant Hairstylist

... Second Second Assistant Director

... Stunt Double

... Clapper Loader

... Construction Buyer

... Location Assistant

... Visual Effects Camera

... Best Boy Grip

... Camera Trainee

... Costumer

... Prosthetics Sculptor

... Foley Mixer

... Standby Carpenter

... Assistant Dialogue Editor

... Visual Effects Production Assistant

... Assistant Set Dresser

... Second Assistant Camera

... Location Coordinator

... Costume Assistant

... Visual Effects Production Manager

... Assistant Location Manager

... Assistant Chef

... Assistant Production Coordinator

... Standby Rigger

... Production Assistant

... Local Casting

... Floor Runner

... Catering

... Conductor

... Crowd Assistant Director

... First Assistant Camera

... Location Casting

... Sound Re-Recording Mixer

... Sound Re-Recording Mixer

... Propmaker

... Visual Effects Camera

... Sculptor

... Stunt Double

... Grip

... Costume Design

... Art Department Assistant

... Props

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