Flow (2024)

FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/flow-review-a-dialogue-free-tale-that-speaks-volumes/

"Flow is a celebration of resilience and collective spirit in times of adversity, as well as a potent reminder of the consequences of human actions on the environment.

With its immersive animation, emotional music, and unique narrative approach, Gints Zilbalodis invites viewers of all ages and backgrounds to reflect on the ability to adapt and unite - not just among species, but within society itself.

It's a testament to the profound, universal messages that can reside in the simplest of stories, inspiring empathy, respect, and awareness of the fragility and beauty of nature."

Rating: B+

Yes, this film is largely a visual treat but what more do we get here? A fairy tale about different spices getting along – except for with fishes of course, who are merely colorful props who conveniently don't scream. But this fairy tale has little to do with reality, as seen in Europe during the last decade – even if its crude message probably is largely why this film has been received so positively.

Or maybe we are supposed to learn something about global warming? We know about that already but few change their lives much and this film won't change that.
So we are left with what is reminiscent of a PC game walkthrough video on Youtube. We can appreciate all the work that has gone into it but in the end it is a shallow experience.

A cat goes through some adventure. It's nothing for a movie lover. 2/10

Sometimes the simplest yet most profound messages we can receive come from the unlikeliest of sources. So it is with the second animated feature from writer-director Gints Zilbalodis, a stunningly beautiful, inspiringly insightful odyssey about a band of animals seeking to find their way and survive in a new world. When a great flood essentially destroys the world of man, a wide-eyed black cat must figure out how to get by when this consuming deluge wipes out the existence he has known, armed with only his own wits and the cooperation of fellow animal kindreds, including a capybara, a meerkat, a secretary bird and a pack of dogs, most notably a yellow Labrador retriever. Together this band of different creatures navigates the waters of this new world in an abandoned sailboat, learning how to work together to support one another and to stay alive, surmounting an array of challenges along the way. In the process, they collectively learn valuable life lessons that we as humans can all stand to follow, especially when confronted with circumstances not unlike those that we all must contend with in a world on the edge, conditions to which most of us can probably relate these days. The answers that these creatures come up with are often patently obvious, but the film thoughtfully prompts us to ask ourselves that, if these simple solutions are so readily apparent, why aren’t we doing more ourselves to embrace them in addressing our own current challenges? That’s a very good question and one of the greatest strengths of this widely acclaimed release. This dialogue-free offering, whose only sounds come from the authentic utterances of its animal protagonists and its emotive background score, features exquisite animation in its depiction of a world in transition, one showing the remnants of what’s been left behind and the emergence of what’s coming into being. While the narrative takes a little time to initially find its footing and is occasionally episodic as it unfolds, the various incidents it portrays as the story plays out are instructive, touching, meaningful and spot on in conveying the picture’s myriad insights, crafted in a way that shows more than tells and successfully avoids the temptation to spoon-feed audiences. “Flow” may be animated, but it’s by no means a cartoon, an accomplishment to which more films in this genre should attempt to aspire. This Golden Globe Award winner and Oscar nominee for best animated feature is a true gem, one from which we could all stand to learn a lot – and, one would hope, before we’re faced with circumstances like these ourselves.

Beautiful movie but quite simple and obviously meaningless, you need to have studied art to get close to understand what they want to convey. Oscar for best animation but that's all it's good for. A lot of awards but it's really a movie that you don't understand.
And to think that another Oscar nominee for best animation 2025 was The Wild Robot ....

_**Good HDR TV color checker.**_

After a fairly scary start with a group of growling dogs, our usually quite sedentary cat makes it’s way back to a comfortable bed just in time for an inundation to flood his surrounding forest dwelling. There is no sign of any human being anywhere, but a small boat floats by manned by a coypu. The cat hops aboard and after an initial spat, the host settles back to sleep and they continue to drift aimlessly along what appear to be brand new waterways, meeting an host of fellow creatures along the way. Some appear friendly, others less so with many of them dispossessed of their usual habitats and others rather thriving in their new aquatic environment. Initials suspicions and reticence starts to morph into something more friendly and the animals convey a message that better together might be their route to survival. Sometimes those choices cause conflict, or require leaps of faith and that is the message that is delivered quite effectively as their amiable escapades unfold. I didn’t find the animation that spectacular, but when married together with some intricately designed audio we are presented with a charming and quite potent tale of what makes them and, vicariously, us tick amidst a changing and beautifully imagined forest that also elicits an appreciation of a sense of change, vivacity, collaboration and of nature. It’s simply told, celebratory and enjoyable to watch.

Director Gints Zilbalodis has created a visionary work of art with “Flow,” an absolutely jaw-dropping, stunning animated film that takes viewers on a breathtaking journey through both the natural and mystical realms. Following a courageous cat and an unlikely band of animal companions as they navigate a flooded, post-apocalyptic world, the film is an emotionally charged, visually immersive film that combines high stakes, environmental themes, and an unforgettable sense of adventure.

This is a film that completely drew me in from the very first frame, and not just with its beautiful animation, but with its deep, resonant story about survival, cooperation, and the fragility of our planet. This is one of the best films of the year, and it’s unlike anything I have ever seen before.

The story centers around a little black cat whose home is devastated by a catastrophic flood. Forced to flee after a devastating event (there are no humans to be found and only traces of them remain), he eventually finds refuge on an abandoned boat. The cat teams up with a menagerie of other animals, including a capybara, a lemur, a bird, and a dog, all of whom have been displaced from their homes. Relying on trust, courage, and their collective wits to survive the increasingly dangerous environment, the animals must now work together to navigate the perilous waters in search of dry land.

What sets this story apart from other animated films is its compelling and unique approach to animal behavior. While the animals display primal instincts, the film also incorporates a fantasy element where they seem to take on more human-like qualities (thankfully none talk, and no words are spoken in the entire film).

Zilbalodis and his team focus on a more nuanced, naturalistic portrayal of these animals rather than having the characters engage in zany antics or delivering silly punchlines. There are subtle hints, like exploring the solitary nature of the cat while watching as he slowly learns the benefits of cooperating with others. One of the more interesting aspects of the story is when the animals form mini societies on their floating vessels, giving the film an intriguing balance between realism and imagination. Even through non-verbal communication, the interactions between the characters feel authentic, especially as their survival instincts kick in. This is incredibly thoughtful and sophisticated storytelling.

The visual style is breathtaking, as the film is set in a lush, flooded world. Everything feels so meticulously crafted in a way that evokes the haunting beauty and disquieting peril of a newly aquatic landscape. Just when you think the film can’t look any more spectacular, yet another scene comes along that’s even more stunning than the last. This is one for lovers of the art form of cinema.

The floodwaters that have taken over the planet become a character in their own right, creating an atmosphere of constant tension and uncertainty. Everything about this film kept me on the edge of my seat. This is a story of survival, and the animals struggle. This isn’t a story that’s all wrapped up in a neat little bow, and the environmental themes are a substantial, poignant meditation on climate change and the destruction of our planet’s ecosystems.

Zilbalodis wisely avoids making things too bleak or heavy-handed and finds moments of hope and warmth through the animals’ shared journey. There’s a beautiful message about cooperation and the power of friendship, especially in the face of insurmountable odds, that provides a constant (if faint) feeling of much appreciated optimism.

At its heart, “Flow” is a film about survival, trust, and community. Its narrative may be simple, but it’s filled with profound emotional depth. Whether you’re an animal lover or someone who enjoys a thoughtful ecological tale, this film offers something for everyone. It’s a beautifully crafted adventure that doesn’t shy away from difficult topics, but it also fills you with a sense of wonder and possibility.

By combining impressive visuals, heartfelt storytelling, and a powerful environmental message, “Flow” is as enchanting as it is thought-provoking. I was deeply moved by the film’s themes and captivated by not only the beauty of the animation, but also its overall spirit.

By: Louisa Moore / SCREEN ZEALOTS

My wife liked it, I hadn't even heard of it. And I'll be honest, the animation irritated me, I found it jarring and off putting. It wasn't bad, it wasn't disturbing, it was just jarring and off putting, almost like the videos you see on social media of people cleaning barnacles off whales with a broom, it's that level of jarring and off putting.

But the story is actually not bad, it's a bit on the fun side and a bit on the heart warming side, so consider it a good review. I wouldn't watch it a second time, but I am glad that I watched it once. It was satisfying.

Flow (2024)

Directed by Gints Zilbalodis

I wanted to watch Flow because it was made entirely on Blender, the FOSS animation program. FOSS stands for Free and Open Source Software, programs available to anyone for free, built and maintained by a global community of developers who believe software should be accessible rather than locked behind corporate paywalls. I had Blender installed on my computer once but found the learning curve too steep to justify for my limited needs. Nevertheless, I was impressed by what's possible when you can actually access professional-grade tools without mortgaging your creative future to Adobe or Autodesk.

What Gints Zilbalodis and his team created is an incredibly adorable diluvian fable, a wordless journey through a flooded world where a cat, a capybara, a lemur, a secretary bird, and a dog navigate survival together on a small boat. There's no dialogue, no explanation, just animals being animals in a world transformed by rising waters. The animation is gorgeous, the storytelling clear and emotionally resonant, and the whole thing operates on a logic of kindness and cooperation that feels almost revolutionary in our current moment of brutal self-interest.

This is a must-see for any animal lover, and a quiet reminder that you don't need a Pixar budget or proprietary software to make something beautiful and moving. Sometimes all you need is vision, patience, and tools that belong to everyone.