American History X (1998)
8.327 /10
12499 Reviews
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Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.
Videos & Photos
cast
... Derek
... Danny
... Doris
... Davina
... Seth
User reviews
Despite having a somewhat weak cast, this is an incredibly poignant drama of one man's struggle to live a new life. Probably too violent and close-to-home for some.
Director:
Writer:
David McKenna (Screenplay)
Genres:
Release Date:
1998-07-01
Run Time:
119 min
MMPA Rating:
R
Reviews of
American History X
Despite having a somewhat weak cast, this is an incredibly poignant drama of one man's struggle to live a new life. Probably too violent and close-to-home for some.
There's really no point to the movie. Just a lot of violence. That's pretty much it.
You could use this as a skinhead recruitment film because it failed so miserably in the message it was trying to push, and it failed miserably because they were too concerned about pushing the message that they forgot how they were framing the film.
So a bunch of skinheads win a turf war basketball game, to stop the gang violence around the basketball courts, and then one of the Black people on the losing side tries to steal the car of one of the skinheads. And then the skinhead goes to jail for killing him. Then we have a flashback where the skinhead argues that Affirmative Action policies that put race before merit are racist because they put race before merit... to presumably illistrate how evil he is. Then his brother reads "Mein Kampf" for a book report and has to write a history paper titled American History X to teach him not to read books that should be banned... like the ACTUAL Nazis banned books. I mean that's not very free speech of them to tell people what they can or can't read. And before he turns it in, he gets killed by a Black kid, involved in the gangs, who took a gun into school.
Too often in the film you get those moments where you have to stop and think "Why do the Neo-Nazis look like the good guys in comparison?" That's not what they were trying to do, at least I hope it wasn't, but it certainly was what they succeeded in doing.
It's clearly supposed to tell you how the skinheads are the bad guys, I mean that was the intended message... but it doesn't really succeed in that, in fact it kind of makes the good guys, more often than not, with the exception of the prison scene... and people love it.
And people love it. That raises a pretty serious question, do they love it for the message that they tried to push and failed miserably at, resulting in the movie making Neo-Nazis out to be the better of two evils more often than not, or do they love it because they faild miserably at making the Neo-Nazis out to be evil?
It's sort of like "The Thin Red Line" where they pushed the leftwing message so hard that they made Americans seem like the bad guys in World War II.... when we were fighting actual Nazis and serious Japanese war criminals. They over did American History X on the narrative and because of that the message got lost in delivery.
You could use this as a skinhead recruitment film because it failed so miserably in the message it was trying to push, and it failed miserably because they were too concerned about pushing the message that they forgot how they were framing the film.
So a bunch of skinheads win a turf war basketball game, to stop the gang violence around the basketball courts, and then one of the Black people on the losing side tries to steal the car of one of the skinheads. And then the skinhead goes to jail for killing him. Then we have a flashback where the skinhead argues that Affirmative Action policies that put race before merit are racist because they put race before merit... to presumably illistrate how evil he is. Then his brother reads "Mein Kampf" for a book report and has to write a history paper titled American History X to teach him not to read books that should be banned... like the ACTUAL Nazis banned books. I mean that's not very free speech of them to tell people what they can or can't read. And before he turns it in, he gets killed by a Black kid, involved in the gangs, who took a gun into school.
Too often in the film you get those moments where you have to stop and think "Why do the Neo-Nazis look like the good guys in comparison?" That's not what they were trying to do, at least I hope it wasn't, but it certainly was what they succeeded in doing.
It's clearly supposed to tell you how the skinheads are the bad guys, I mean that was the intended message... but it doesn't really succeed in that, in fact it kind of makes the good guys, more often than not, with the exception of the prison scene... and people love it.
And people love it. That raises a pretty serious question, do they love it for the message that they tried to push and failed miserably at, resulting in the movie making Neo-Nazis out to be the better of two evils more often than not, or do they love it because they faild miserably at making the Neo-Nazis out to be evil?
It's sort of like "The Thin Red Line" where they pushed the leftwing message so hard that they made Americans seem like the bad guys in World War II.... when we were fighting actual Nazis and serious Japanese war criminals. They over did American History X on the narrative and because of that the message got lost in delivery.
You could use this as a skinhead recruitment film because it failed so miserably in the message it was trying to push, and it failed miserably because they were too concerned about pushing the message that they forgot how they were framing the film.
So a bunch of skinheads win a turf war basketball game, to stop the gang violence around the basketball courts, and then one of the Black people on the losing side tries to steal the car of one of the skinheads. And then the skinhead goes to jail for killing him. Then we have a flashback where the skinhead argues that Affirmative Action policies that put race before merit are racist because they put race before merit... to presumably illistrate how evil he is. Then his brother reads "Mein Kampf" for a book report and has to write a history paper titled American History X to teach him not to read books that should be banned... like the ACTUAL Nazis banned books. I mean that's not very free speech of them to tell people what they can or can't read. And before he turns it in, he gets killed by a Black kid, involved in the gangs, who took a gun into school.
Too often in the film you get those moments where you have to stop and think "Why do the Neo-Nazis look like the good guys in comparison?" That's not what they were trying to do, at least I hope it wasn't, but it certainly was what they succeeded in doing.
It's clearly supposed to tell you how the skinheads are the bad guys, I mean that was the intended message... but it doesn't really succeed in that, in fact it kind of makes the good guys, more often than not, with the exception of the prison scene... and people love it.
And people love it. That raises a pretty serious question, do they love it for the message that they tried to push and failed miserably at, resulting in the movie making Neo-Nazis out to be the better of two evils more often than not, or do they love it because they faild miserably at making the Neo-Nazis out to be evil?
It's sort of like "The Thin Red Line" where they pushed the leftwing message so hard that they made Americans seem like the bad guys in World War II.... when we were fighting actual Nazis and serious Japanese war criminals. They over did American History X on the narrative and because of that the message got lost in delivery.
You could use this as a skinhead recruitment film because it failed so miserably in the message it was trying to push, and it failed miserably because they were too concerned about pushing the message that they forgot how they were framing the film.
So a bunch of skinheads win a turf war basketball game, to stop the gang violence around the basketball courts, and then one of the Black people on the losing side tries to steal the car of one of the skinheads. And then the skinhead goes to jail for killing him. Then we have a flashback where the skinhead argues that Affirmative Action policies that put race before merit are racist because they put race before merit... to presumably illistrate how evil he is. Then his brother reads "Mein Kampf" for a book report and has to write a history paper titled American History X to teach him not to read books that should be banned... like the ACTUAL Nazis banned books. I mean that's not very free speech of them to tell people what they can or can't read. And before he turns it in, he gets killed by a Black kid, involved in the gangs, who took a gun into school.
Too often in the film you get those moments where you have to stop and think "Why do the Neo-Nazis look like the good guys in comparison?" That's not what they were trying to do, at least I hope it wasn't, but it certainly was what they succeeded in doing.
It's clearly supposed to tell you how the skinheads are the bad guys, I mean that was the intended message... but it doesn't really succeed in that, in fact it kind of makes the good guys, more often than not, with the exception of the prison scene... and people love it.
And people love it. That raises a pretty serious question, do they love it for the message that they tried to push and failed miserably at, resulting in the movie making Neo-Nazis out to be the better of two evils more often than not, or do they love it because they faild miserably at making the Neo-Nazis out to be evil?
It's sort of like "The Thin Red Line" where they pushed the leftwing message so hard that they made Americans seem like the bad guys in World War II.... when we were fighting actual Nazis and serious Japanese war criminals. They over did American History X on the narrative and because of that the message got lost in delivery.
You could use this as a skinhead recruitment film because it failed so miserably in the message it was trying to push, and it failed miserably because they were too concerned about pushing the message that they forgot how they were framing the film.
So a bunch of skinheads win a turf war basketball game, to stop the gang violence around the basketball courts, and then one of the Black people on the losing side tries to steal the car of one of the skinheads. And then the skinhead goes to jail for killing him. Then we have a flashback where the skinhead argues that Affirmative Action policies that put race before merit are racist because they put race before merit... to presumably illistrate how evil he is. Then his brother reads "Mein Kampf" for a book report and has to write a history paper titled American History X to teach him not to read books that should be banned... like the ACTUAL Nazis banned books. I mean that's not very free speech of them to tell people what they can or can't read. And before he turns it in, he gets killed by a Black kid, involved in the gangs, who took a gun into school.
Too often in the film you get those moments where you have to stop and think "Why do the Neo-Nazis look like the good guys in comparison?" That's not what they were trying to do, at least I hope it wasn't, but it certainly was what they succeeded in doing.
It's clearly supposed to tell you how the skinheads are the bad guys, I mean that was the intended message... but it doesn't really succeed in that, in fact it kind of makes the good guys, more often than not, with the exception of the prison scene... and people love it.
And people love it. That raises a pretty serious question, do they love it for the message that they tried to push and failed miserably at, resulting in the movie making Neo-Nazis out to be the better of two evils more often than not, or do they love it because they faild miserably at making the Neo-Nazis out to be evil?
It's sort of like "The Thin Red Line" where they pushed the leftwing message so hard that they made Americans seem like the bad guys in World War II.... when we were fighting actual Nazis and serious Japanese war criminals. They over did American History X on the narrative and because of that the message got lost in delivery.
Cast & Crew of
American History X
Cast
... Derek
... Danny
... Doris
... Davina
... Seth
... Stacey
... Sweeney
... Murray
... Cameron
... Dennis
... Lamont
... Rasmussen
... Little Henry
... Lawrence
... Mitch McCormick
... Chris
... Jason
... Lizzy
... Jerome
... Daryl Dawson
... Huge Aryan
... Curtis
... McMahon
... Cop #2
... Kammi
... Dr. Aguilar
... Ally Vinyard
... Cassandra
... Reporter
... Desk Sergeant
... Buddy #1
... Randy
... Guard
... Young Ally
... Lawrence's Partner
... Student
... Random Skinhead
... Stocky Buddy
... Basketball Player
... White Supremicist (uncredited)
... Skinhead (uncredited)
... Prison Gang Leader (uncredited)
... Parking Lot Skinhead (uncredited)
... Young Danny Vinyard (uncredited)
... Skinhead Girlfriend (uncredited)
... Student (uncredited)
... Student Leaving Bathroom (uncredited)
... Jail Inmate (uncredited)
... Arresting Officer (uncredited)
... Deputy Sheriff (uncredited)
Crew
... Screenplay
... Original Music Composer
... Editor
... Producer
... Director
... Editor
... Casting
... Stunt Coordinator
... Stunts
... Executive Producer
... Co-Producer
... Executive Producer
... Executive Producer
... Co-Executive Producer
... Executive Producer
... Co-Producer
... Co-Executive Producer
... Art Direction
... Art Direction
... Set Decoration
... Painter
... Set Production Assistant
... Executive In Charge Of Production
... Transportation Co-Captain
... First Assistant Editor
... Construction Foreman
... Music Editor
... Makeup Artist
... Craft Service
... Boom Operator
... Wigmaker
... Chef
... Color Timer
... Transportation Coordinator
... Unit Publicist
... Camera Operator
... Steadicam Operator
... Special Effects Supervisor
... Production Design
... Post Production Supervisor
... Stunts
... Location Manager
... Sound Designer
... Sound Re-Recording Mixer
... Choreographer
... Seamstress
... Production Coordinator
... Construction Coordinator
... Script Supervisor
... Orchestrator
... Still Photographer
... Best Boy Electric
... Executive In Charge Of Post Production
... Location Scout
... Costume Design
... Costume Supervisor
... Set Medic
... Stunt Coordinator
... Transportation Captain
... Production Supervisor
... Hairstylist
... Driver
... Electrician
... Gaffer
... Production Accountant
... Scoring Mixer
... Rigging Gaffer
... Sound Effects Editor
... Sound Engineer
... Music Supervisor
... Unit Production Manager
... Production Controller
... Dolly Grip
... First Assistant Director
... Key Grip
... Key Costumer
... Casting Assistant
... Assistant Sound Editor
... Musician
... Title Designer
... Camera Loader
... Chief Lighting Technician
... Foley Editor
... Grip
... Pilot
... Assistant Production Coordinator
... Set Dresser
... ADR Supervisor
... Assistant Property Master
... Second Assistant Director
... Stunts
... Visual Effects
... Director of Photography
... Stunts
... Production Sound Mixer
... Dialogue Editor
... Foley Mixer
... Foley Artist
... Dialogue Editor
... Dialogue Editor
... Foley Editor
... Dialogue Editor
... Foley Artist
... Sound Re-Recording Mixer
... Dialogue Editor
... Property Master
... Foley Artist
... Sound Re-Recording Mixer
... Sound Re-Recording Mixer
... ADR Mixer
... Stunt Coordinator
... Stunt Coordinator
... Scenic Artist
... Second Assistant "B" Camera
... First Assistant "A" Camera
... Post Production Accountant
... On Set Dresser
... Leadman
... Casting Coordinator
... Studio Teacher
... Production Secretary
... Special Effects
... "A" Camera Operator
... Costumer
... First Assistant Accountant
... First Assistant "B" Camera
... Second Assistant "A" Camera
... Assistant Camera
... Assistant Location Manager
... General Manager
... Extras Casting
... Stunt Double
... Special Effects Makeup Artist
... Second Second Assistant Director
... Best Boy Grip
... Production Executive
... Additional Sound Re-Recording Mixer
... Payroll Accountant
... Post Production Coordinator
... Additional Second Assistant Camera
... Extras Casting Assistant
... Music Coordinator
... Assistant Editor
Videos & Photos of
American History X
Videos (1)
![American History X (1998) Original Trailer [HD]](https://img.youtube.com/vi/el6JxnW2Tyg/mqdefault.jpg)
Photos 13
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