American History X (1998)
8.327 /10
12573 Reviews
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Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.
Videos & Photos
cast
... Derek
... Danny
... Doris
... Davina
... Seth
User reviews
Despite having a somewhat weak cast, this is an incredibly poignant drama of one man's struggle to live a new life. Probably too violent and close-to-home for some.
Director:
Writer:
David McKenna (Screenplay)
Genres:
Release Date:
1998-07-01
Run Time:
119 min
MMPA Rating:
R
Reviews of
American History X
Despite having a somewhat weak cast, this is an incredibly poignant drama of one man's struggle to live a new life. Probably too violent and close-to-home for some.
There's really no point to the movie. Just a lot of violence. That's pretty much it.
You could use this as a skinhead recruitment film because it failed so miserably in the message it was trying to push, and it failed miserably because they were too concerned about pushing the message that they forgot how they were framing the film.
So a bunch of skinheads win a turf war basketball game, to stop the gang violence around the basketball courts, and then one of the Black people on the losing side tries to steal the car of one of the skinheads. And then the skinhead goes to jail for killing him. Then we have a flashback where the skinhead argues that Affirmative Action policies that put race before merit are racist because they put race before merit... to presumably illistrate how evil he is. Then his brother reads "Mein Kampf" for a book report and has to write a history paper titled American History X to teach him not to read books that should be banned... like the ACTUAL Nazis banned books. I mean that's not very free speech of them to tell people what they can or can't read. And before he turns it in, he gets killed by a Black kid, involved in the gangs, who took a gun into school.
Too often in the film you get those moments where you have to stop and think "Why do the Neo-Nazis look like the good guys in comparison?" That's not what they were trying to do, at least I hope it wasn't, but it certainly was what they succeeded in doing.
It's clearly supposed to tell you how the skinheads are the bad guys, I mean that was the intended message... but it doesn't really succeed in that, in fact it kind of makes the good guys, more often than not, with the exception of the prison scene... and people love it.
And people love it. That raises a pretty serious question, do they love it for the message that they tried to push and failed miserably at, resulting in the movie making Neo-Nazis out to be the better of two evils more often than not, or do they love it because they faild miserably at making the Neo-Nazis out to be evil?
It's sort of like "The Thin Red Line" where they pushed the leftwing message so hard that they made Americans seem like the bad guys in World War II.... when we were fighting actual Nazis and serious Japanese war criminals. They over did American History X on the narrative and because of that the message got lost in delivery.
You could use this as a skinhead recruitment film because it failed so miserably in the message it was trying to push, and it failed miserably because they were too concerned about pushing the message that they forgot how they were framing the film.
So a bunch of skinheads win a turf war basketball game, to stop the gang violence around the basketball courts, and then one of the Black people on the losing side tries to steal the car of one of the skinheads. And then the skinhead goes to jail for killing him. Then we have a flashback where the skinhead argues that Affirmative Action policies that put race before merit are racist because they put race before merit... to presumably illistrate how evil he is. Then his brother reads "Mein Kampf" for a book report and has to write a history paper titled American History X to teach him not to read books that should be banned... like the ACTUAL Nazis banned books. I mean that's not very free speech of them to tell people what they can or can't read. And before he turns it in, he gets killed by a Black kid, involved in the gangs, who took a gun into school.
Too often in the film you get those moments where you have to stop and think "Why do the Neo-Nazis look like the good guys in comparison?" That's not what they were trying to do, at least I hope it wasn't, but it certainly was what they succeeded in doing.
It's clearly supposed to tell you how the skinheads are the bad guys, I mean that was the intended message... but it doesn't really succeed in that, in fact it kind of makes the good guys, more often than not, with the exception of the prison scene... and people love it.
And people love it. That raises a pretty serious question, do they love it for the message that they tried to push and failed miserably at, resulting in the movie making Neo-Nazis out to be the better of two evils more often than not, or do they love it because they faild miserably at making the Neo-Nazis out to be evil?
It's sort of like "The Thin Red Line" where they pushed the leftwing message so hard that they made Americans seem like the bad guys in World War II.... when we were fighting actual Nazis and serious Japanese war criminals. They over did American History X on the narrative and because of that the message got lost in delivery.
You could use this as a skinhead recruitment film because it failed so miserably in the message it was trying to push, and it failed miserably because they were too concerned about pushing the message that they forgot how they were framing the film.
So a bunch of skinheads win a turf war basketball game, to stop the gang violence around the basketball courts, and then one of the Black people on the losing side tries to steal the car of one of the skinheads. And then the skinhead goes to jail for killing him. Then we have a flashback where the skinhead argues that Affirmative Action policies that put race before merit are racist because they put race before merit... to presumably illistrate how evil he is. Then his brother reads "Mein Kampf" for a book report and has to write a history paper titled American History X to teach him not to read books that should be banned... like the ACTUAL Nazis banned books. I mean that's not very free speech of them to tell people what they can or can't read. And before he turns it in, he gets killed by a Black kid, involved in the gangs, who took a gun into school.
Too often in the film you get those moments where you have to stop and think "Why do the Neo-Nazis look like the good guys in comparison?" That's not what they were trying to do, at least I hope it wasn't, but it certainly was what they succeeded in doing.
It's clearly supposed to tell you how the skinheads are the bad guys, I mean that was the intended message... but it doesn't really succeed in that, in fact it kind of makes the good guys, more often than not, with the exception of the prison scene... and people love it.
And people love it. That raises a pretty serious question, do they love it for the message that they tried to push and failed miserably at, resulting in the movie making Neo-Nazis out to be the better of two evils more often than not, or do they love it because they faild miserably at making the Neo-Nazis out to be evil?
It's sort of like "The Thin Red Line" where they pushed the leftwing message so hard that they made Americans seem like the bad guys in World War II.... when we were fighting actual Nazis and serious Japanese war criminals. They over did American History X on the narrative and because of that the message got lost in delivery.
You could use this as a skinhead recruitment film because it failed so miserably in the message it was trying to push, and it failed miserably because they were too concerned about pushing the message that they forgot how they were framing the film.
So a bunch of skinheads win a turf war basketball game, to stop the gang violence around the basketball courts, and then one of the Black people on the losing side tries to steal the car of one of the skinheads. And then the skinhead goes to jail for killing him. Then we have a flashback where the skinhead argues that Affirmative Action policies that put race before merit are racist because they put race before merit... to presumably illistrate how evil he is. Then his brother reads "Mein Kampf" for a book report and has to write a history paper titled American History X to teach him not to read books that should be banned... like the ACTUAL Nazis banned books. I mean that's not very free speech of them to tell people what they can or can't read. And before he turns it in, he gets killed by a Black kid, involved in the gangs, who took a gun into school.
Too often in the film you get those moments where you have to stop and think "Why do the Neo-Nazis look like the good guys in comparison?" That's not what they were trying to do, at least I hope it wasn't, but it certainly was what they succeeded in doing.
It's clearly supposed to tell you how the skinheads are the bad guys, I mean that was the intended message... but it doesn't really succeed in that, in fact it kind of makes the good guys, more often than not, with the exception of the prison scene... and people love it.
And people love it. That raises a pretty serious question, do they love it for the message that they tried to push and failed miserably at, resulting in the movie making Neo-Nazis out to be the better of two evils more often than not, or do they love it because they faild miserably at making the Neo-Nazis out to be evil?
It's sort of like "The Thin Red Line" where they pushed the leftwing message so hard that they made Americans seem like the bad guys in World War II.... when we were fighting actual Nazis and serious Japanese war criminals. They over did American History X on the narrative and because of that the message got lost in delivery.
You could use this as a skinhead recruitment film because it failed so miserably in the message it was trying to push, and it failed miserably because they were too concerned about pushing the message that they forgot how they were framing the film.
So a bunch of skinheads win a turf war basketball game, to stop the gang violence around the basketball courts, and then one of the Black people on the losing side tries to steal the car of one of the skinheads. And then the skinhead goes to jail for killing him. Then we have a flashback where the skinhead argues that Affirmative Action policies that put race before merit are racist because they put race before merit... to presumably illistrate how evil he is. Then his brother reads "Mein Kampf" for a book report and has to write a history paper titled American History X to teach him not to read books that should be banned... like the ACTUAL Nazis banned books. I mean that's not very free speech of them to tell people what they can or can't read. And before he turns it in, he gets killed by a Black kid, involved in the gangs, who took a gun into school.
Too often in the film you get those moments where you have to stop and think "Why do the Neo-Nazis look like the good guys in comparison?" That's not what they were trying to do, at least I hope it wasn't, but it certainly was what they succeeded in doing.
It's clearly supposed to tell you how the skinheads are the bad guys, I mean that was the intended message... but it doesn't really succeed in that, in fact it kind of makes the good guys, more often than not, with the exception of the prison scene... and people love it.
And people love it. That raises a pretty serious question, do they love it for the message that they tried to push and failed miserably at, resulting in the movie making Neo-Nazis out to be the better of two evils more often than not, or do they love it because they faild miserably at making the Neo-Nazis out to be evil?
It's sort of like "The Thin Red Line" where they pushed the leftwing message so hard that they made Americans seem like the bad guys in World War II.... when we were fighting actual Nazis and serious Japanese war criminals. They over did American History X on the narrative and because of that the message got lost in delivery.
Cast & Crew of
American History X
Cast
... Derek
... Danny
... Doris
... Davina
... Seth
... Stacey
... Sweeney
... Murray
... Cameron
... Dennis
... Lamont
... Rasmussen
... Little Henry
... Lawrence
... Mitch McCormick
... Chris
... Jason
... Lizzy
... Jerome
... Daryl Dawson
... Huge Aryan
... Curtis
... McMahon
... Cop #2
... Kammi
... Dr. Aguilar
... Ally Vinyard
... Cassandra
... Reporter
... Desk Sergeant
... Buddy #1
... Randy
... Guard
... Young Ally
... Lawrence's Partner
... Student
... Random Skinhead
... Stocky Buddy
... Basketball Player
... White Supremicist (uncredited)
... Skinhead (uncredited)
... Prison Gang Leader (uncredited)
... Parking Lot Skinhead (uncredited)
... Young Danny Vinyard (uncredited)
... Skinhead Girlfriend (uncredited)
... Student (uncredited)
... Student Leaving Bathroom (uncredited)
... Jail Inmate (uncredited)
... Arresting Officer (uncredited)
... Deputy Sheriff (uncredited)
Crew
... Editor
... Producer
... Editor
... Director
... Screenplay
... Original Music Composer
... Casting
... Stunt Coordinator
... Stunts
... Executive Producer
... Co-Executive Producer
... Co-Executive Producer
... Co-Producer
... Executive Producer
... Executive Producer
... Executive Producer
... Co-Producer
... Art Direction
... Location Scout
... Camera Operator
... Art Direction
... Post Production Supervisor
... Transportation Co-Captain
... First Assistant Editor
... Script Supervisor
... Construction Foreman
... Production Design
... Driver
... Stunts
... Costume Design
... Best Boy Electric
... Executive In Charge Of Post Production
... Construction Coordinator
... Transportation Captain
... Transportation Coordinator
... Wigmaker
... Chef
... Color Timer
... Executive In Charge Of Production
... Production Supervisor
... Steadicam Operator
... Set Medic
... Set Decoration
... Hairstylist
... Seamstress
... Gaffer
... Unit Publicist
... Still Photographer
... Costume Supervisor
... Stunt Coordinator
... Rigging Gaffer
... Production Accountant
... Production Coordinator
... Scoring Mixer
... Craft Service
... Orchestrator
... Painter
... Makeup Artist
... Set Production Assistant
... Sound Effects Editor
... Music Supervisor
... Sound Designer
... Electrician
... Location Manager
... Music Editor
... Choreographer
... Boom Operator
... Special Effects Supervisor
... Sound Engineer
... Sound Re-Recording Mixer
... Unit Production Manager
... Production Controller
... Title Designer
... Grip
... Foley Editor
... Assistant Production Coordinator
... Dolly Grip
... Pilot
... Second Assistant Director
... Musician
... Set Dresser
... Key Grip
... Assistant Sound Editor
... Assistant Property Master
... First Assistant Director
... ADR Supervisor
... Casting Assistant
... Key Costumer
... Camera Loader
... Chief Lighting Technician
... Stunts
... Visual Effects
... Director of Photography
... Stunts
... Production Sound Mixer
... Foley Artist
... Dialogue Editor
... Property Master
... Dialogue Editor
... Dialogue Editor
... ADR Mixer
... Dialogue Editor
... Dialogue Editor
... Foley Editor
... Foley Artist
... Foley Mixer
... Sound Re-Recording Mixer
... Sound Re-Recording Mixer
... Foley Artist
... Sound Re-Recording Mixer
... Stunt Coordinator
... Stunt Coordinator
... Scenic Artist
... On Set Dresser
... First Assistant "A" Camera
... Special Effects
... "A" Camera Operator
... Second Assistant "B" Camera
... Leadman
... First Assistant "B" Camera
... Second Assistant "A" Camera
... Casting Coordinator
... Studio Teacher
... Costumer
... First Assistant Accountant
... Post Production Accountant
... Production Secretary
... Additional Sound Re-Recording Mixer
... Payroll Accountant
... General Manager
... Special Effects Makeup Artist
... Production Executive
... Assistant Editor
... Additional Second Assistant Camera
... Extras Casting Assistant
... Best Boy Grip
... Second Second Assistant Director
... Stunt Double
... Post Production Coordinator
... Assistant Camera
... Assistant Location Manager
... Extras Casting
... Music Coordinator
Videos & Photos of
American History X
Videos (1)
![American History X (1998) Original Trailer [HD]](https://img.youtube.com/vi/el6JxnW2Tyg/mqdefault.jpg)
Photos 11
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