Spider-Man: Across the Spider-Verse (2023)

8.334 /10
8304 Reviews

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After reuniting with Gwen Stacy, Brooklyn’s full-time, friendly neighborhood Spider-Man is catapulted across the Multiverse, where he encounters the Spider Society, a team of Spider-People charged with protecting the Multiverse's very existence. But when the heroes clash on how to handle a new threat, Miles finds himself pitted against the other Spiders and must set out on his own to save those he loves most.

Videos & Photos

Spider-Man: Across the Spider-Verse

cast

... Miles Morales (voice)

... Gwen Stacy (voice)

... Jeff Morales (voice)

... Rio Morales (voice)

... Peter B. Parker (voice)

User reviews

Life as a teenager is never easy and when you are gifted with the superhuman abilities of a spider and lead a double life as a student and crime fighter; life gets even harder.

Miles Morales (Shameik Moore) is finding it even harder to hide his secret from his family who has grown concerned that his erratic behavior is more than the usual teenage angst.

In another earth, Gwen Stacy (Hailee Steinfeld) deals with her Police officer father desperately hunting down her alter-ego believing that she is a killer which drives a wedge between them as Gwen desperately tries to find her way forward.

In “Spider-Man Across the Spider-Verse audiences learn that what one perceives as reality is often just the corner of a much larger picture and when Miles confronts what he dismisses as a “Villain of the Week” in a quirky enemy known as The Spot (Jason Schwartzman), starts a campaign against Spider-Man, he soon finds that the threat is much larger than he expected and secretly follows a visiting Gwen into an another Earth where his actions soon draw the attention of a larger temporal Spider squad.

Motivated by his feelings for Gwen and a desire to do good, Miles looks to undo the damage that the Spot is causing across various Earths and learns that each one has its own version of Spider-man or Woman to protect it.

At this point the film goes into overdrive as Miles learns more about his past and how he became Spider-Man but also learns more about the cost that his powers enact on his life and those around him. There are plenty of special moments and guest appearances that follow from the more obscure to the mainstream and the range of emotions from the audience at the press screening as they reacted to the film showed they were deeply engaged and loving it.

The film does take a darker turn and does end in a cliffhanger which sets up the next film very well but also may be a bit darker than younger viewers might want. That being said; I enjoyed this film far more than I did the prior film. I found the animation style a bit off-putting as the jerky way the characters moved was a bit much over the length of a feature film. This time around there is a mix of animation styles throughout and at times in the same frame which may be a bit hard for some as the film does come at the viewer with waves of flashing lights, sounds, and animations that very cleverly mimic reading a comic complete with small boxes to define various characters from time to time.

The film runs nearly two and a half hours and did seem to go on a bit long at times but thanks to the great voice-acting and strong cast as well as engaging storyline I found myself eagerly looking forward to the next film.

I first saw a rough cut of a scene at Cinemacon in 2022 and it was amazing seeing the final scene near the opening of the film as it was a rare instance of a film surpassing expectations and delivers the storyline and action with a good dose of solid characters that fans will love.

4.5 stars out of 5

Writer:

David Callaham (Writer)

Phil Lord (Writer)

Christopher Miller (Writer)

Kasey Fagerquist (Story Artist)

Miguel Jiron (Head of Story)

Octavio E. Rodriguez (Head of Story)

Ben Choi (Story Artist)

Anthony Holden (Story Artist)

Matt Jones (Story Artist)

Chris Mitchell (Story Artist)

Violaine Briat (Story Artist)

Denise Koyama (Story Artist)

Gabriela Carolina Camarillo (Story Artist)

Lauren Sassen (Story Artist)

Sarah Jean Partington (Story Artist)

Wynton Redmond (Story Artist)

Caitlin VanArsdale (Story Artist)

Mark Ackland (Story Artist)

Max Perkins (Story Artist)

Stephanie Garcia Rizo (Story Artist)

Eugene Lee (Story Artist)

Melanie Duke (Story Coordinator)

Darnell Johnson (Story Artist)

Release Date:

2023-05-31

Run Time:

140 min

MMPA Rating:

PG

Reviews of

Spider-Man: Across the Spider-Verse

Found 10 reviews in total

Life as a teenager is never easy and when you are gifted with the superhuman abilities of a spider and lead a double life as a student and crime fighter; life gets even harder.

Miles Morales (Shameik Moore) is finding it even harder to hide his secret from his family who has grown concerned that his erratic behavior is more than the usual teenage angst.

In another earth, Gwen Stacy (Hailee Steinfeld) deals with her Police officer father desperately hunting down her alter-ego believing that she is a killer which drives a wedge between them as Gwen desperately tries to find her way forward.

In “Spider-Man Across the Spider-Verse audiences learn that what one perceives as reality is often just the corner of a much larger picture and when Miles confronts what he dismisses as a “Villain of the Week” in a quirky enemy known as The Spot (Jason Schwartzman), starts a campaign against Spider-Man, he soon finds that the threat is much larger than he expected and secretly follows a visiting Gwen into an another Earth where his actions soon draw the attention of a larger temporal Spider squad.

Motivated by his feelings for Gwen and a desire to do good, Miles looks to undo the damage that the Spot is causing across various Earths and learns that each one has its own version of Spider-man or Woman to protect it.

At this point the film goes into overdrive as Miles learns more about his past and how he became Spider-Man but also learns more about the cost that his powers enact on his life and those around him. There are plenty of special moments and guest appearances that follow from the more obscure to the mainstream and the range of emotions from the audience at the press screening as they reacted to the film showed they were deeply engaged and loving it.

The film does take a darker turn and does end in a cliffhanger which sets up the next film very well but also may be a bit darker than younger viewers might want. That being said; I enjoyed this film far more than I did the prior film. I found the animation style a bit off-putting as the jerky way the characters moved was a bit much over the length of a feature film. This time around there is a mix of animation styles throughout and at times in the same frame which may be a bit hard for some as the film does come at the viewer with waves of flashing lights, sounds, and animations that very cleverly mimic reading a comic complete with small boxes to define various characters from time to time.

The film runs nearly two and a half hours and did seem to go on a bit long at times but thanks to the great voice-acting and strong cast as well as engaging storyline I found myself eagerly looking forward to the next film.

I first saw a rough cut of a scene at Cinemacon in 2022 and it was amazing seeing the final scene near the opening of the film as it was a rare instance of a film surpassing expectations and delivers the storyline and action with a good dose of solid characters that fans will love.

4.5 stars out of 5

Sad night tonight. After 80-odd years, this was the last film to show in my local cinema before it closed down. Doubly sad because it’s also not actually very good. The conceptualisation behind the hybrid styles of animation is spectacular and executed in an highly polished fashion - as you’d expect. The story is all over the pace though, and the proliferation of Spidey’s seemed designed more to allow the narrative to become more culturally inclusive (and bankable) rather than to develop any meaningful characterisations. What personas there are spend their time wallowing in a mire of unrequited and/or confused familial love, or teenage angst more suitable in a soap. The dialogue has it’s moments - assuming you can catch it - and there’s a bit of humour to be found but I found the audio mix made following all that was said became a bit wearisome after a first hour that really does depend on your having watched (and remembering) the first - in my view far better - instalment. This whole “multiverse” theme can keep on recycling itself ad nauseam but if the writing remains at this unremarkable level then I’m not sure I’ll be bothering with the next set of repetitively set-piece adventures for “Miles” and his parents, love interest and fellow Spider-folk.

FULL SPOILER-FREE REVIEW @ https://www.firstshowing.net/2023/review-spider-man-across-the-spider-verse-is-an-animated-work-of-art/

"Spider-Man: Across the Spider-Verse is the epitome of incredibly detailed, gorgeously unique, undeniably epic animation within its medium. Separately from enjoying this movie or not, any or all cinephiles should bow to the ridiculously talented artists and animators behind this pure work of art.

That said, the attributes and issues are more or less the same as the original. The various animation styles are overwhelmingly stunning, but also to the point of creating confusing moments. Gwen Stacy stands out from the rest of the pack – both the character and Hailee Steinfeld's voice performance – but everyone on screen is impressively captivating. The voice cast is superb all-around.

An unfinished story – remember, this is the first of two parts – about what it really means to be a hero. The 140-minute runtime isn't exactly heavy, but the necessity to resort to exposition scenes is more frequent than in the previous flick, even though the narrative complexity ends up justifying this.

A must-see movie in the cinema! Go support animation."


Rating: A-

And perhaps _Beyond the Spider-Verse_ will retroactively make Across’ story more enjoyable, but for now, the franchise’s flashy visuals are fully in controls of its web-shooters.

As a stand alone feature, _Across the Spider-Verse_ is groundbreaking with its half-a-dozen animation styles and plethora of Spider-Men. The Spot is an insanely cool villain, Spider-Man 2099 is an anti-hero teetering on the verge of becoming a full-time villain, and Spider-Punk oozes overall awesomeness.

But with the film sitting at 162 minutes and a sequel on the way in less than a year, the story ultimately feels like it’s stretched beyond its means.

**Full review:** https://boundingintocomics.com/2023/06/07/spider-man-across-the-spider-verse-review-a-stunning-labyrinthine-benchmark-for-animation/

I don't know, but in my humble opinion, the punk Spider-Man really needed to look like Johnny Rotten, Sid Vicious, someone from the Sex Pistols. He sort of screamed them in the way he was depicted, right down to the multi-media used around him.

They really missed an opportunity for if not a great pop culture reference, but at least an in-joke for the punk community. I mean, throw us a bone here. He spent half his time mocking us anyway (in a pretty hysterical way) at least give us the laugh when they do the face reveal.

Anyway, it's not bad. Miles is less... boring in this cartoon than he is in the comics where he's developed the moniker "Mild Morales." He actually has more depth of character here and is forced to face some serious choices and turning points (Hey Marvel, you could learn a lesson here).

But he also took a bit of a back seat to Stacey, who seemed to be the star of the show until there was an abrupt switch... which irritated me. It sort of screamed ensemble cast, but really it just shifter from one lead to the other a bit abruptly. As far as complaints go, that's pretty bare bones.

It also gave Spidey 2099 a sort of bad spin despite being the most beloved of the 2099 line and the coolest costume design of any spider. So for us Gen-Xers, it sort of burned. At least I'm old enough to have been looking forward to his inclusion only to be a little disappointed.

And I am still very upset over how Peter is portrayed, but they are slowly redeeming his character.

Over-all though, it's not bad. It's better than just about all of the current Super-Hero movies and, honestly, it's probably the only cape franchise that people are still interested in... because it isn't totally political BS.

by akarshv

Rating: 9.5

Overall, another groundbreaking film in the franchise that only builds on everything they created in the previous film as the brilliant animation and incredible writing is used to show the audience a well-rounded story about a Spider-Man who is trying to find his place in the world, with the only major drawback of the movie being that it suffers from the flaws of it being one of two parts.

I don’t have that much to say about “Spider-Man: Across the Spider-Verse”, the sequel to the equally terrific 2018 Oscar winning film “Spider-Man: Into the Spider-Verse,” except that it’s easily one of the best films of the year. It’s the type of achievement in animation that’s not only artistically skilled but also wildly entertaining. This is one of the most perfect pieces of animated cinema in years and even better, it’s aimed squarely at more sophisticated audiences of older kids, teens, and adults.

Miles Morales (voice of Shameik Moore) is back for part two, and he’s happily fulfilling his duties as Brooklyn’s friendly neighborhood superhero. Miles finds himself joining forces with Gwen Stacy (voice of Hailee Steinfeld) and a new team of elite Spider heroes (featuring the voices of Jake Johnson, Karan Soni, Issa Rae, and others) from across the multiverse as they work together to fight off a powerful villain.

The plot is complex, but the story is terrific. The parallel universes at play don’t feel like a gimmick, and there are real stakes for every character. There are strong messages about teamwork, friendship, power, and responsibility, and it’s nice to see more female representation in a film that prides itself on diversity and inclusion. The story is a little slow at the start, but things pick up ones Miles enters the picture. His relationship with Gwen is developed extensively here, and they’re a great onscreen duo.

The film is computer-animated, and the visuals are nothing short of masterful. The animation is vibrant, skillfully executed, and absolutely stunning. This is the type of visual art that leaves your eyes begging for more. From the attention to detail to the choice of hues, there isn’t one misstep to be found.

The story, however, has a few stumbles, and most of that stems from the overly long run time (2 hours, 20 minutes), the too-insider Easter egg references for diehard comic fans, and the irritating cliffhanger ending that is so obnoxious that it almost ruins everything that came before. Thank goodness the rest of the movie is so much fun.

“Spider-Man: Across the Spider-Verse” is the type of film that proves animation isn’t just for kids, and it’s certainly not a throwaway medium that deserves to be dismissed. It’s an action-packed, visually dazzling, frentic, and outrageously fun piece of cinema. Go see it.

By: Louisa Moore

Incredible non stop action movie

by James

“It’s like if The Raid met Into The Spiderverse”

by r96sk

'Spider-Man: Across the Spider-Verse' surpasses the original for me, though there's more to that statement than meets the eye. I watched the first film four years ago (almost to the day, weirdly) and remember enjoying but feeling a little nonplussed by it.

I think the main reason for that is that I don't have any connection or knowledge to the comics and/or the general world of these characters, therefore last time out it was a barrage of information and characters; not much of which stuck. So it makes sense why I only mildly like it.

This time, however, I did have a fair amount of fun. I had more of an interest in the characters that carried over from the 2018 flick, while the new additions worked for me too. The story does feel more conventional than previously, which is a plus to me given the aforementioned.

Other prior drawbacks were the characters of Kingpin, Green Goblin and Prowler; their designs and voices failed to hook me. Here, I did appreciate the characters away from the leads. The Spot, Hobie and Miguel are onscreen peeps that I will remember with fine fondness.

Speaking of Shameik Moore and Hailee Steinfeld, I enjoyed both. Another aspect I enjoyed was the music and, of course, the animation. I actually found myself feeling kinda hyped by the ending too, which is a positive sign for 'Spider-Man: Beyond the Spider-Verse'.

Cast & Crew of

Spider-Man: Across the Spider-Verse

Cast

... Miles Morales (voice)

... Gwen Stacy (voice)

... Jeff Morales (voice)

... Rio Morales (voice)

... Peter B. Parker (voice)

... Miguel O'Hara (voice)

... Spot (voice)

... Jessica Drew (voice)

... Hobie Brown (voice)

... Pavitr Prabhakar (voice)

... George Stacy (voice)

... LYLA (voice)

... Uncle Aaron (voice)

... Margo Kess: Spider-Byte (voice)

... Miles G. Morales (voice)

... Ben Reilly (voice)

... Peter Parker (voice)

... Ms. Weber (voice)

... Lenny (voice)

... Adriano Tumino / '67 (voice)

... J. Jonah Jameson (voice)

... Aaron Davis

... May / Quippy Spider-Person (voice)

... Doc Ock (voice)

... Glory (voice)

... MJ (voice)

... Betty (voice)

... Yuri (voice)

... Ganke (voice)

... Mary Jane (voice)

... Maria (voice)

... Lego Spider-Man (voice)

... Web-Slinger (voice)

... Metro Spider-Man (voice)

... Spectacular Spider-Man (voice)

... Malala Windsor: Spider-UK (voice)

... Charlotte Webber: Sun-Spider (voice)

... Insomniac Spider-Man (voice)

... Additional Voices (voice)

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... Peni Parker (voice) (uncredited)

... Mrs. Chen (uncredited)

Crew

... Director

... Director

... Co-Producer

... Producer

... Producer

... Casting

... Original Music Composer

... Other

... Other

... Other

... Other

... Other

... Other

... Executive Producer

... Character Designer

... Executive Producer

... Executive Producer

... Executive Producer

... Executive Producer

... Production Design

... Writer

... Art Direction

... Music Supervisor

... Writer

... Associate Editor

... Writer

... Casting

... Assistant Editor

... Animation

... Matte Painter

... Matte Painter

... Matte Painter

... Matte Painter

... Matte Painter

... Matte Painter

... Matte Painter

... Producer's Assistant

... Matte Painter

... Matte Painter

... Matte Painter

... Production Coordinator

... Matte Painter

... Digital Effects Supervisor

... Animation Supervisor

... Matte Painter

... Digital Producer

... Matte Painter

... Matte Painter

... Matte Painter

... Matte Painter

... Story Artist

... Producer's Assistant

... Producer's Assistant

... Other

... Character Designer

... Visual Effects Supervisor

... Head of Story

... Line Producer

... Production Manager

... Digital Producer

... Head of Story

... Supervising Animator

... Head of Layout

... Supervising Animator

... Supervising Animator

... Supervising Animator

... Head of Layout

... Animation Supervisor

... Digital Producer

... CG Supervisor

... Supervising Animator

... Co-Producer

... Supervising Animator

... Supervising Animator

... CG Supervisor

... CG Supervisor

... CG Supervisor

... Supervising Animator

... Supervising Animator

... CG Supervisor

... CG Supervisor

... Supervising Animator

... Supervising Animator

... Supervising Animator

... Co-Producer

... Story Artist

... Story Artist

... Production Consultant

... Story Artist

... Story Artist

... Story Artist

... Story Artist

... Story Artist

... Story Artist

... Production Consultant

... Story Artist

... Story Artist

... Production Consultant

... Story Artist

... CG Supervisor

... Digital Effects Supervisor

... Story Artist

... Production Consultant

... Production Consultant

... Story Artist

... Story Artist

... Story Artist

... Production Consultant

... Production Consultant

... Production Consultant

... Character Designer

... Visual Development

... Story Coordinator

... Visual Development

... Script Coordinator

... Character Designer

... Character Designer

... Visual Development

... Character Designer

... Character Designer

... Visual Development

... Visual Development

... Visual Development

... Character Designer

... Character Designer

... Visual Development

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... Lead Animator

... Animation

... Animation

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... Associate Editor

... Modeling

... Animation

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... Visual Development

... First Assistant Editor

... Assistant Editor

... Assistant Editor

... Animation

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... Animation

... Animation

... Animation

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... Lead Animator

... Animation

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... Modeling

... Animation

... Animation

... Animation

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... Animation

... Animation

... Visual Development

... Visual Development

... Art Department Coordinator

... Animation

... Animation

... Animation

... Animation

... Animation

... Animation

... Animation

... Animation

... Animation

... Visual Development

... Associate Editor

... Animation

... Animation

... Animation

... Art Department Coordinator

... Animation Supervisor

... Animation

... Animation

... Animation

... Visual Development

... Lead Animator

... Animation

... Animation

... Animation

... Animation

... Animation

... Editorial Coordinator

... Animation

... Animation

... Animation

... Visual Development

... Animation

... Lead Animator

... Animation

... Animation

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... Animation Coordinator

... Animation Coordinator

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... Animation Coordinator

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... Production Assistant

... Animation

... Post Production Supervisor

... Animation Supervisor

... Animation

... Digital Compositor

... Animation

... Animation

... Sound Effects Editor

... Dialogue Editor

... Scoring Mixer

... Animation

... Animation

... Production Accountant

... Animation

... 3D Supervisor

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... Production Coordinator

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... Dialogue Editor

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... Production Coordinator

... Production Coordinator

... Production Accountant

... Production Assistant

... Animation

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... Sound Re-Recording Mixer

... Supervising Sound Editor

... Sound Designer

... Animation

... Animation Supervisor

... 3D Supervisor

... Animation Supervisor

... Sound Effects Editor

... Foley Supervisor

... Finishing Producer

... Animation

... Animation

... Animation

... Animation Coordinator

... Animation Coordinator

... Production Assistant

... Animation Supervisor

... Animation

... Animation

... Animation

... Sound Designer

... Sound Effects Editor

... Additional Sound Re-Recording Mixer

... Foley Artist

... Animation

... Animation

... Animation

... Animation

... Animation

... Animation

... Animation Coordinator

... Production Accountant

... Production Assistant

... Production Assistant

... Digital Compositor

... 2D Supervisor

... Animation

... Animation

... Animation

... Animation

... Animation

... Animation

... Animation

... Animation

... Animation Coordinator

... 2D Supervisor

... 2D Supervisor

... Sound Re-Recording Mixer

... Sound Designer

... Animation

... Animation Coordinator

... Production Assistant

... Animation

... Animation

... Sound Effects Editor

... Foley Artist

... Animation

... Animation

... Animation

... Production Coordinator

... Production Accountant

... Animation

... Animation

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... Animation

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... Animation

... Production Assistant

... Animation

... 3D Supervisor

... Supervising Dialogue Editor

... Additional Sound Re-Recording Mixer

... Foley Artist

... Sound Effects Editor

... Conductor

... Digital Colorist

... Sound Effects Editor

... Thanks

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... ADR Editor

... Orchestrator

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... Supervising ADR Editor

... Foley Mixer

... Foley Artist

... Thanks

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... Assistant Sound Editor

... ADR Voice Casting

... Supervising Music Editor

... Sound Effects Editor

... ADR Editor

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... Foley Mixer

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... Color Assistant

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... Executive Music Producer

... Lighting Artist

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... Orchestrator

... Modeling

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... Director

... Producer

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... Story Artist

... Post-Production Manager

... Software Engineer

... Software Engineer

... Animation

... Head of Animation

... Additional Editor

... Songs

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Spider-Man: Across the Spider-Verse

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Release: 2012-10-13

VeggieTales: Minnesota Cuke and the Search for Noah's Umbrella
VeggieTales: Minnesota Cuke and the Search for Noah's Umbrella (2009)

5.4/10

Minnesota Cuke is on the search for Noah's famous ark when he learns of a mysterious and powerful umbrella and a tricky villain who wants it for his own schemes. Will Minnesota have the confidence to face the challenge and keep searching or will all hopes of finding the ark be washed away for good?!

Release: 2009-08-04

Kismet
Kismet (1955)

5.3/10

A silver-tongued poet and self-proclaimed "King of the Beggars" searches old Baghdad for a rich bachelor to marry his dreamy daughter, Marsinah. Along the way, he poses as the renowned sorcerer Hajj and gets in and out of scrapes with an elderly thief, a dim-witted wazir, and his wife. Meanwhile, his daughter develops feelings for a handsome caliph.

Release: 1955-10-08

The World, the Flesh and the Devil
The World, the Flesh and the Devil (1959)

6.349/10

Ralph Burton is a miner who is trapped for several days as a result of a cave-in. When he finally manages to dig himself out, he realizes that all of mankind seems to have been destroyed in a nuclear holocaust. He travels to New York City only to find it deserted. Making a life for himself there, he is flabbergasted to eventually find Sarah Crandall, who also managed to survive. Together, they form a close friendship until the arrival of Benson Thacker who has managed to pilot his small boat into the city's harbor. At this point, tensions rise between the three, particularly between Thacker, who is white, and Burton, who is black.

Release: 1959-05-01

VeggieTales: Moe and the Big Exit
VeggieTales: Moe and the Big Exit (2007)

4.6/10

Meet Moe (Larry the Cucumber), a good-natured cowboy living high on the hog out in Dodgeball City while his kinfolk work their fingers to the bone digging the Grand Canyon. When Moe asks the heartless mayor to let his people go, he refuses and a heap of trouble comes to town. Can Moe help free his people from bondage and flee Dodgeball City once and fer all? Saddle up fro a rootin' tootin' Bible adventure as VeggieTales® heads west and teaches a lesson in followin' directions! Yee-Haw!

Release: 2007-03-03

Pretty Cure Miracle Leap: A Wonderful Day with Everyone
Pretty Cure Miracle Leap: A Wonderful Day with Everyone (2020)

5/10

The story begins when the protagonist Hikaru meets aliens Lala, Prunce, and Fuwa while watching the night sky. She learns of the “Star Palace,” where the 12 Star Princesses of the constellations kept the balance of the universe until they were attacked. Lala is searching for the legendary Precure warriors to help find the 12 scattered “Princess Star Color Pens” and revive the princesses. When Fuwa is captured by an enemy, Hikaru wishes to save Fuwa, and a Star Color Pendent and a Star Color Pen appear to allow her to transform into Cure Star. From then on she works to collect the pens and raise Fuwa, who is the key to reviving the princesses.

Release: 2020-10-31

Beowulf & Grendel
Beowulf & Grendel (2005)

5.553/10

The blood-soaked tale of a Norse warrior's battle against the great and murderous troll, Grendel. Heads will roll. Out of allegiance to the King Hrothgar, the much respected Lord of the Danes, Beowulf leads a troop of warriors across the sea to rid a village of the marauding monster.

Release: 2005-09-14

Howl's Moving Castle
Howl's Moving Castle (2004)

8.387/10

Sophie, a young milliner, is turned into an elderly woman by a witch who enters her shop and curses her. She encounters a wizard named Howl and gets caught up in his resistance to fighting for the king.

Release: 2004-09-09

Misfits Christmas Special
Misfits Christmas Special (2010)

8/10

'Tis the week before Christmas and all through the estate, not much of anything is happening, until one of the gang sees some graffiti that offers 'Money for Powers'.

Release: 2010-12-19

The Astronaut Farmer
The Astronaut Farmer (2007)

6.255/10

Texan Charles Farmer left the Air Force as a young man to save the family ranch when his dad died. Like most American ranchers, he owes his bank. Unlike most, he's an astrophysicist with a rocket in his barn - one he's built and wants to take into space. It's his dream. The FBI puts him under surveillance when he tries to buy rocket fuel, and the FAA stalls him when he files a flight plan – but Charles is undeterred.

Release: 2007-02-23

Hercules in New York
Hercules in New York (1970)

4.106/10

Hercules is sent from Mount Olympus to modern-day Manhattan, where he takes up professional wrestling before getting mixed up with a gang of mobsters.

Release: 1970-02-23

How to Train Your Dragon 2
How to Train Your Dragon 2 (2027)

0/10

The second live-action adaptation of the animated trilogy. Plot TBA.

Release: 2027-06-10

An American Tail
An American Tail (1986)

6.748/10

A young mouse named Fievel and his family decide to migrate to America, a "land without cats," at the turn of the 20th century. But somehow, Fievel ends up in the New World alone and must fend off not only the felines he never thought he'd have to deal with again but also the loneliness of being away from home.

Release: 1986-11-21

Burning Up
Burning Up (1930)

3.5/10

Racecar-driver Lou Larrigan gets mixed up with a crooked gang of racetrack promoters, and is in love with Ruth Morgan, whose father is marked as a victim by the gang.

Release: 1930-02-01

RoboCop 2
RoboCop 2 (1990)

6/10

After a successful deployment of the RoboCop Law Enforcement unit, OCP sees its goal of urban pacification come closer and closer, but as this develops, a new narcotic known as "Nuke" invades the streets led by God-delirious leader Cane. As this menace grows, it may prove to be too much for Murphy to handle. OCP tries to replicate the success of the first unit, but ends up with failed prototypes with suicidal issues... until Dr. Faxx, a scientist straying away from OCP's path, uses Cane as the new subject for the RoboCop 2 project, a living God.

Release: 1990-06-22

RoboCop 3
RoboCop 3 (1993)

4.898/10

The mega corporation Omni Consumer Products is still bent on creating their pet project, Delta City, to replace the rotting city of Detroit. Unfortunately, the inhabitants of the area have no intention of abandoning their homes simply for desires of the company. To this end, OCP have decided to force them to leave by employing a ruthless mercenary army to attack and harass them. An underground resistance begins and in this fight, RoboCop must decide where his loyalties lie.

Release: 1993-01-21

Widdershins
Widdershins (2018)

7.429/10

A pampered gentleman's seamlessly automated life is thrown into chaos when he pursues a free-spirited woman, against the advice of his robot butler.

Release: 2018-06-27

Mask of the Evil Apparition
Mask of the Evil Apparition (2021)

4/10

A young woman lost in a nocturnal, dreamlike city, with her twin psychic brothers who try to help her find her way home as she is pursued by a shadowy cult known as The Mysterious Ones.

Release: 2021-11-18