Spider-Man: Across the Spider-Verse (2023)

8.339 /10
8054 Reviews

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After reuniting with Gwen Stacy, Brooklyn’s full-time, friendly neighborhood Spider-Man is catapulted across the Multiverse, where he encounters the Spider Society, a team of Spider-People charged with protecting the Multiverse’s very existence. But when the heroes clash on how to handle a new threat, Miles finds himself pitted against the other Spiders and must set out on his own to save those he loves most.

Videos & Photos

Spider-Man: Across the Spider-Verse

cast

... Miles Morales (voice)

... Gwen Stacy (voice)

... Jeff Morales (voice)

... Rio Morales (voice)

... Peter B. Parker (voice)

User reviews

Life as a teenager is never easy and when you are gifted with the superhuman abilities of a spider and lead a double life as a student and crime fighter; life gets even harder.

Miles Morales (Shameik Moore) is finding it even harder to hide his secret from his family who has grown concerned that his erratic behavior is more than the usual teenage angst.

In another earth, Gwen Stacy (Hailee Steinfeld) deals with her Police officer father desperately hunting down her alter-ego believing that she is a killer which drives a wedge between them as Gwen desperately tries to find her way forward.

In “Spider-Man Across the Spider-Verse audiences learn that what one perceives as reality is often just the corner of a much larger picture and when Miles confronts what he dismisses as a “Villain of the Week” in a quirky enemy known as The Spot (Jason Schwartzman), starts a campaign against Spider-Man, he soon finds that the threat is much larger than he expected and secretly follows a visiting Gwen into an another Earth where his actions soon draw the attention of a larger temporal Spider squad.

Motivated by his feelings for Gwen and a desire to do good, Miles looks to undo the damage that the Spot is causing across various Earths and learns that each one has its own version of Spider-man or Woman to protect it.

At this point the film goes into overdrive as Miles learns more about his past and how he became Spider-Man but also learns more about the cost that his powers enact on his life and those around him. There are plenty of special moments and guest appearances that follow from the more obscure to the mainstream and the range of emotions from the audience at the press screening as they reacted to the film showed they were deeply engaged and loving it.

The film does take a darker turn and does end in a cliffhanger which sets up the next film very well but also may be a bit darker than younger viewers might want. That being said; I enjoyed this film far more than I did the prior film. I found the animation style a bit off-putting as the jerky way the characters moved was a bit much over the length of a feature film. This time around there is a mix of animation styles throughout and at times in the same frame which may be a bit hard for some as the film does come at the viewer with waves of flashing lights, sounds, and animations that very cleverly mimic reading a comic complete with small boxes to define various characters from time to time.

The film runs nearly two and a half hours and did seem to go on a bit long at times but thanks to the great voice-acting and strong cast as well as engaging storyline I found myself eagerly looking forward to the next film.

I first saw a rough cut of a scene at Cinemacon in 2022 and it was amazing seeing the final scene near the opening of the film as it was a rare instance of a film surpassing expectations and delivers the storyline and action with a good dose of solid characters that fans will love.

4.5 stars out of 5

Writer:

Phil Lord (Writer)

Christopher Miller (Writer)

David Callaham (Writer)

Kasey Fagerquist (Story Artist)

Octavio E. Rodriguez (Head of Story)

Miguel Jiron (Head of Story)

Gabriela Carolina Camarillo (Story Artist)

Ben Choi (Story Artist)

Anthony Holden (Story Artist)

Sarah Jean Partington (Story Artist)

Chris Mitchell (Story Artist)

Caitlin VanArsdale (Story Artist)

Eugene Lee (Story Artist)

Lauren Sassen (Story Artist)

Denise Koyama (Story Artist)

Max Perkins (Story Artist)

Mark Ackland (Story Artist)

Wynton Redmond (Story Artist)

Matt Jones (Story Artist)

Violaine Briat (Story Artist)

Stephanie Garcia Rizo (Story Artist)

Melanie Duke (Story Coordinator)

Darnell Johnson (Story Artist)

Release Date:

2023-05-31

Run Time:

140 min

MMPA Rating:

PG

Reviews of

Spider-Man: Across the Spider-Verse

Found 10 reviews in total

Life as a teenager is never easy and when you are gifted with the superhuman abilities of a spider and lead a double life as a student and crime fighter; life gets even harder.

Miles Morales (Shameik Moore) is finding it even harder to hide his secret from his family who has grown concerned that his erratic behavior is more than the usual teenage angst.

In another earth, Gwen Stacy (Hailee Steinfeld) deals with her Police officer father desperately hunting down her alter-ego believing that she is a killer which drives a wedge between them as Gwen desperately tries to find her way forward.

In “Spider-Man Across the Spider-Verse audiences learn that what one perceives as reality is often just the corner of a much larger picture and when Miles confronts what he dismisses as a “Villain of the Week” in a quirky enemy known as The Spot (Jason Schwartzman), starts a campaign against Spider-Man, he soon finds that the threat is much larger than he expected and secretly follows a visiting Gwen into an another Earth where his actions soon draw the attention of a larger temporal Spider squad.

Motivated by his feelings for Gwen and a desire to do good, Miles looks to undo the damage that the Spot is causing across various Earths and learns that each one has its own version of Spider-man or Woman to protect it.

At this point the film goes into overdrive as Miles learns more about his past and how he became Spider-Man but also learns more about the cost that his powers enact on his life and those around him. There are plenty of special moments and guest appearances that follow from the more obscure to the mainstream and the range of emotions from the audience at the press screening as they reacted to the film showed they were deeply engaged and loving it.

The film does take a darker turn and does end in a cliffhanger which sets up the next film very well but also may be a bit darker than younger viewers might want. That being said; I enjoyed this film far more than I did the prior film. I found the animation style a bit off-putting as the jerky way the characters moved was a bit much over the length of a feature film. This time around there is a mix of animation styles throughout and at times in the same frame which may be a bit hard for some as the film does come at the viewer with waves of flashing lights, sounds, and animations that very cleverly mimic reading a comic complete with small boxes to define various characters from time to time.

The film runs nearly two and a half hours and did seem to go on a bit long at times but thanks to the great voice-acting and strong cast as well as engaging storyline I found myself eagerly looking forward to the next film.

I first saw a rough cut of a scene at Cinemacon in 2022 and it was amazing seeing the final scene near the opening of the film as it was a rare instance of a film surpassing expectations and delivers the storyline and action with a good dose of solid characters that fans will love.

4.5 stars out of 5

Sad night tonight. After 80-odd years, this was the last film to show in my local cinema before it closed down. Doubly sad because it’s also not actually very good. The conceptualisation behind the hybrid styles of animation is spectacular and executed in an highly polished fashion - as you’d expect. The story is all over the pace though, and the proliferation of Spidey’s seemed designed more to allow the narrative to become more culturally inclusive (and bankable) rather than to develop any meaningful characterisations. What personas there are spend their time wallowing in a mire of unrequited and/or confused familial love, or teenage angst more suitable in a soap. The dialogue has it’s moments - assuming you can catch it - and there’s a bit of humour to be found but I found the audio mix made following all that was said became a bit wearisome after a first hour that really does depend on your having watched (and remembering) the first - in my view far better - instalment. This whole “multiverse” theme can keep on recycling itself ad nauseam but if the writing remains at this unremarkable level then I’m not sure I’ll be bothering with the next set of repetitively set-piece adventures for “Miles” and his parents, love interest and fellow Spider-folk.

FULL SPOILER-FREE REVIEW @ https://www.firstshowing.net/2023/review-spider-man-across-the-spider-verse-is-an-animated-work-of-art/

"Spider-Man: Across the Spider-Verse is the epitome of incredibly detailed, gorgeously unique, undeniably epic animation within its medium. Separately from enjoying this movie or not, any or all cinephiles should bow to the ridiculously talented artists and animators behind this pure work of art.

That said, the attributes and issues are more or less the same as the original. The various animation styles are overwhelmingly stunning, but also to the point of creating confusing moments. Gwen Stacy stands out from the rest of the pack – both the character and Hailee Steinfeld's voice performance – but everyone on screen is impressively captivating. The voice cast is superb all-around.

An unfinished story – remember, this is the first of two parts – about what it really means to be a hero. The 140-minute runtime isn't exactly heavy, but the necessity to resort to exposition scenes is more frequent than in the previous flick, even though the narrative complexity ends up justifying this.

A must-see movie in the cinema! Go support animation."


Rating: A-

And perhaps _Beyond the Spider-Verse_ will retroactively make Across’ story more enjoyable, but for now, the franchise’s flashy visuals are fully in controls of its web-shooters.

As a stand alone feature, _Across the Spider-Verse_ is groundbreaking with its half-a-dozen animation styles and plethora of Spider-Men. The Spot is an insanely cool villain, Spider-Man 2099 is an anti-hero teetering on the verge of becoming a full-time villain, and Spider-Punk oozes overall awesomeness.

But with the film sitting at 162 minutes and a sequel on the way in less than a year, the story ultimately feels like it’s stretched beyond its means.

**Full review:** https://boundingintocomics.com/2023/06/07/spider-man-across-the-spider-verse-review-a-stunning-labyrinthine-benchmark-for-animation/

I don't know, but in my humble opinion, the punk Spider-Man really needed to look like Johnny Rotten, Sid Vicious, someone from the Sex Pistols. He sort of screamed them in the way he was depicted, right down to the multi-media used around him.

They really missed an opportunity for if not a great pop culture reference, but at least an in-joke for the punk community. I mean, throw us a bone here. He spent half his time mocking us anyway (in a pretty hysterical way) at least give us the laugh when they do the face reveal.

Anyway, it's not bad. Miles is less... boring in this cartoon than he is in the comics where he's developed the moniker "Mild Morales." He actually has more depth of character here and is forced to face some serious choices and turning points (Hey Marvel, you could learn a lesson here).

But he also took a bit of a back seat to Stacey, who seemed to be the star of the show until there was an abrupt switch... which irritated me. It sort of screamed ensemble cast, but really it just shifter from one lead to the other a bit abruptly. As far as complaints go, that's pretty bare bones.

It also gave Spidey 2099 a sort of bad spin despite being the most beloved of the 2099 line and the coolest costume design of any spider. So for us Gen-Xers, it sort of burned. At least I'm old enough to have been looking forward to his inclusion only to be a little disappointed.

And I am still very upset over how Peter is portrayed, but they are slowly redeeming his character.

Over-all though, it's not bad. It's better than just about all of the current Super-Hero movies and, honestly, it's probably the only cape franchise that people are still interested in... because it isn't totally political BS.

by akarshv

Rating: 9.5

Overall, another groundbreaking film in the franchise that only builds on everything they created in the previous film as the brilliant animation and incredible writing is used to show the audience a well-rounded story about a Spider-Man who is trying to find his place in the world, with the only major drawback of the movie being that it suffers from the flaws of it being one of two parts.

I don’t have that much to say about “Spider-Man: Across the Spider-Verse”, the sequel to the equally terrific 2018 Oscar winning film “Spider-Man: Into the Spider-Verse,” except that it’s easily one of the best films of the year. It’s the type of achievement in animation that’s not only artistically skilled but also wildly entertaining. This is one of the most perfect pieces of animated cinema in years and even better, it’s aimed squarely at more sophisticated audiences of older kids, teens, and adults.

Miles Morales (voice of Shameik Moore) is back for part two, and he’s happily fulfilling his duties as Brooklyn’s friendly neighborhood superhero. Miles finds himself joining forces with Gwen Stacy (voice of Hailee Steinfeld) and a new team of elite Spider heroes (featuring the voices of Jake Johnson, Karan Soni, Issa Rae, and others) from across the multiverse as they work together to fight off a powerful villain.

The plot is complex, but the story is terrific. The parallel universes at play don’t feel like a gimmick, and there are real stakes for every character. There are strong messages about teamwork, friendship, power, and responsibility, and it’s nice to see more female representation in a film that prides itself on diversity and inclusion. The story is a little slow at the start, but things pick up ones Miles enters the picture. His relationship with Gwen is developed extensively here, and they’re a great onscreen duo.

The film is computer-animated, and the visuals are nothing short of masterful. The animation is vibrant, skillfully executed, and absolutely stunning. This is the type of visual art that leaves your eyes begging for more. From the attention to detail to the choice of hues, there isn’t one misstep to be found.

The story, however, has a few stumbles, and most of that stems from the overly long run time (2 hours, 20 minutes), the too-insider Easter egg references for diehard comic fans, and the irritating cliffhanger ending that is so obnoxious that it almost ruins everything that came before. Thank goodness the rest of the movie is so much fun.

“Spider-Man: Across the Spider-Verse” is the type of film that proves animation isn’t just for kids, and it’s certainly not a throwaway medium that deserves to be dismissed. It’s an action-packed, visually dazzling, frentic, and outrageously fun piece of cinema. Go see it.

By: Louisa Moore

Incredible non stop action movie

by James

“It’s like if The Raid met Into The Spiderverse”

by r96sk

'Spider-Man: Across the Spider-Verse' surpasses the original for me, though there's more to that statement than meets the eye. I watched the first film four years ago (almost to the day, weirdly) and remember enjoying but feeling a little nonplussed by it.

I think the main reason for that is that I don't have any connection or knowledge to the comics and/or the general world of these characters, therefore last time out it was a barrage of information and characters; not much of which stuck. So it makes sense why I only mildly like it.

This time, however, I did have a fair amount of fun. I had more of an interest in the characters that carried over from the 2018 flick, while the new additions worked for me too. The story does feel more conventional than previously, which is a plus to me given the aforementioned.

Other prior drawbacks were the characters of Kingpin, Green Goblin and Prowler; their designs and voices failed to hook me. Here, I did appreciate the characters away from the leads. The Spot, Hobie and Miguel are onscreen peeps that I will remember with fine fondness.

Speaking of Shameik Moore and Hailee Steinfeld, I enjoyed both. Another aspect I enjoyed was the music and, of course, the animation. I actually found myself feeling kinda hyped by the ending too, which is a positive sign for 'Spider-Man: Beyond the Spider-Verse'.

Cast & Crew of

Spider-Man: Across the Spider-Verse

Cast

... Miles Morales (voice)

... Gwen Stacy (voice)

... Jeff Morales (voice)

... Rio Morales (voice)

... Peter B. Parker (voice)

... Miguel O'Hara (voice)

... Spot (voice)

... Jessica Drew (voice)

... Hobie Brown (voice)

... Pavitr Prabhakar (voice)

... George Stacy (voice)

... LYLA (voice)

... Uncle Aaron (voice)

... Margo Kess: Spider-Byte (voice)

... Miles G. Morales (voice)

... Ben Reilly (voice)

... Peter Parker (voice)

... Ms. Weber (voice)

... Lenny (voice)

... Adriano Tumino / '67 (voice)

... J. Jonah Jameson (voice)

... Aaron Davis

... May / Quippy Spider-Person (voice)

... Doc Ock (voice)

... Glory (voice)

... MJ (voice)

... Betty (voice)

... Yuri (voice)

... Ganke (voice)

... Mary Jane (voice)

... Maria (voice)

... Lego Spider-Man (voice)

... Web-Slinger (voice)

... Metro Spider-Man (voice)

... Spectacular Spider-Man (voice)

... Malala Windsor: Spider-UK (voice)

... Charlotte Webber: Sun-Spider (voice)

... Insomniac Spider-Man (voice)

... Additional Voices (voice)

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... Peni Parker (voice) (uncredited)

... Mrs. Chen (uncredited)

Crew

... Director

... Director

... Co-Producer

... Producer

... Producer

... Casting

... Original Music Composer

... Other

... Other

... Other

... Other

... Other

... Other

... Character Designer

... Executive Producer

... Executive Producer

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... Executive Producer

... Executive Producer

... Assistant Editor

... Associate Editor

... Writer

... Writer

... Casting

... Music Supervisor

... Art Direction

... Writer

... Production Design

... Animation

... Matte Painter

... Matte Painter

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... Matte Painter

... Matte Painter

... Production Coordinator

... Matte Painter

... Matte Painter

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... Matte Painter

... Digital Producer

... Story Artist

... Producer's Assistant

... Producer's Assistant

... Other

... Matte Painter

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... Matte Painter

... Matte Painter

... Digital Effects Supervisor

... Animation Supervisor

... Character Designer

... Production Manager

... Animation Supervisor

... Visual Effects Supervisor

... Supervising Animator

... Head of Story

... Supervising Animator

... Line Producer

... Head of Story

... Supervising Animator

... Digital Producer

... Supervising Animator

... Digital Producer

... Head of Layout

... Head of Layout

... Supervising Animator

... CG Supervisor

... Supervising Animator

... CG Supervisor

... Supervising Animator

... CG Supervisor

... CG Supervisor

... Supervising Animator

... Supervising Animator

... Supervising Animator

... Supervising Animator

... CG Supervisor

... CG Supervisor

... CG Supervisor

... Supervising Animator

... Story Artist

... Production Consultant

... Story Artist

... Story Artist

... Story Artist

... Production Consultant

... Co-Producer

... Story Artist

... Story Artist

... Story Artist

... Story Artist

... Production Consultant

... Story Artist

... Story Artist

... Story Artist

... Production Consultant

... Digital Effects Supervisor

... Story Artist

... Production Consultant

... Story Artist

... Production Consultant

... Co-Producer

... Production Consultant

... Story Artist

... Story Artist

... Visual Development

... Visual Development

... Animation Supervisor

... Associate Editor

... Lead Animator

... Animation

... Script Coordinator

... Character Designer

... Visual Development

... Production Consultant

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... Editorial Coordinator

... Animation

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... Lead Animator

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... Lead Animator

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... Assistant Sound Editor

... Additional Sound Re-Recording Mixer

... Scoring Mixer

... Finishing Producer

... Production Coordinator

... Animation Supervisor

... Sound Re-Recording Mixer

... Supervising Dialogue Editor

... Additional Sound Re-Recording Mixer

... Foley Mixer

... ADR Voice Casting

... Production Assistant

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... Sound Effects Editor

... Orchestrator

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... Digital Colorist

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Spider-Man: Across the Spider-Verse

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Happiness Charge Precure! the Movie: Ballerina of the Doll Kingdom (2014)

6.8/10

While performing a puppet show at a nursery, the HappinessCharge Pretty Cures are surprised when one of the dolls starts talking. “Save our kingdom!” Tsumugi, the ballerina doll, pleads. The Pretty Cures accompany Tsumugi to the land of dolls, a girls’ paradise of cute stuffed animals, talking dolls, music and dance ruled by the noble Prince Zeke. But the kingdom is under attack by the forces of Black Fang, a mysterious man who wants to conquer the land for his own nefarious purposes. As sorrow spreads throughout the Kingdom of Dolls, the Pretty Cures come to the rescue.

Release: 2014-10-11

Ant-Man and the Wasp: Quantumania
Ant-Man and the Wasp: Quantumania (2023)

6.255/10

Super-Hero partners Scott Lang and Hope van Dyne, along with with Hope's parents Janet van Dyne and Hank Pym, and Scott's daughter Cassie Lang, find themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible.

Release: 2023-02-15

Zombillénium
Zombillénium (2017)

7/10

Zombillenium, the Halloween theme park, happens to be the one place on earth where real monsters can hide in plain sight. When Hector, a human, threatens to disclose the true identity of his employees, the Vampire Park Manager has no other choice but to hire him. To see his daughter, Hector must escape from his zombie and werewolf co-workers.

Release: 2017-10-18

Injustice
Injustice (2021)

7.35/10

When Lois Lane is killed, an unhinged Superman decides to take control of the Earth. Determined to stop him, Batman creates a team of freedom-fighting heroes. But when superheroes go to war, can the world survive?

Release: 2021-10-09

Star Wars
Star Wars (1977)

8.2/10

Princess Leia is captured and held hostage by the evil Imperial forces in their effort to take over the galactic Empire. Venturesome Luke Skywalker and dashing captain Han Solo team together with the loveable robot duo R2-D2 and C-3PO to rescue the beautiful princess and restore peace and justice in the Empire.

Release: 1977-05-25

The Fifth Element
The Fifth Element (1997)

7.562/10

In 2257, a taxi driver is unintentionally given the task of saving a young girl who is part of the key that will ensure the survival of humanity.

Release: 1997-05-02

Kamen Rider V3: The Movie
Kamen Rider V3: The Movie (1973)

7/10

During a battle against Destron's forces, Shiro Kazami helps a priest who has been attacked by the evil organization's kaijin Hasami-Jaguar. Little does he know that the church where the priest resides is a front for a Destron hideout. After finding out the organization's latest motive, Kamen Rider V3, along with the Double Riders, must stop Destron from detonating a nuclear bomb in Tokyo.

Release: 1973-03-16

DC Showcase: Death
DC Showcase: Death (2019)

8.473/10

Vincent, an artist with unresolved inner demons, meets a mysterious girl who helps him come to terms with his creative legacy… and eventual death.

Release: 2019-10-22

The Simpsons Movie
The Simpsons Movie (2007)

7.016/10

After Homer accidentally pollutes the town's water supply, Springfield is encased in a gigantic dome by the EPA and the Simpsons are declared fugitives.

Release: 2007-07-25

Eternal Sunshine of the Spotless Mind
Eternal Sunshine of the Spotless Mind (2004)

8.092/10

Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.

Release: 2004-03-19

Mars Attacks!
Mars Attacks! (1996)

6.415/10

A fleet of Martian spacecraft surrounds the world's major cities and all of humanity waits to see if the extraterrestrial visitors have, as they claim, "come in peace." U.S. President James Dale receives assurance from science professor Donald Kessler that the Martians' mission is a friendly one. But when a peaceful exchange ends in the total annihilation of the U.S. Congress, military men call for a full-scale nuclear retaliation.

Release: 1996-12-13

Beverly Hills Cop II
Beverly Hills Cop II (1987)

6.521/10

Axel Foley returns to the land of sunshine and palm trees to investigate the near-fatal shooting of police Captain Andrew Bogomil. With the help of Sgt. Taggart and Det. Rosewood, they soon uncover that the shooting is associated with a series of "alphabet" robberies masterminded by a heartless weapons kingpin—and the chase is on.

Release: 1987-05-18

Léon: The Professional
Léon: The Professional (1994)

8.3/10

Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.

Release: 1994-09-14

The Lord of the Rings: The Two Towers
The Lord of the Rings: The Two Towers (2002)

8.4/10

Frodo Baggins and the other members of the Fellowship continue on their sacred quest to destroy the One Ring--but on separate paths. Their destinies lie at two towers--Orthanc Tower in Isengard, where the corrupt wizard Saruman awaits, and Sauron's fortress at Barad-dur, deep within the dark lands of Mordor. Frodo and Sam are trekking to Mordor to destroy the One Ring of Power while Gimli, Legolas and Aragorn search for the orc-captured Merry and Pippin. All along, nefarious wizard Saruman awaits the Fellowship members at the Orthanc Tower in Isengard.

Release: 2002-12-18

The Lord of the Rings: The Return of the King
The Lord of the Rings: The Return of the King (2003)

8.491/10

As armies mass for a final battle that will decide the fate of the world--and powerful, ancient forces of Light and Dark compete to determine the outcome--one member of the Fellowship of the Ring is revealed as the noble heir to the throne of the Kings of Men. Yet, the sole hope for triumph over evil lies with a brave hobbit, Frodo, who, accompanied by his loyal friend Sam and the hideous, wretched Gollum, ventures deep into the very dark heart of Mordor on his seemingly impossible quest to destroy the Ring of Power.​

Release: 2003-12-17

How I Became a Superhero
How I Became a Superhero (2020)

6.094/10

Paris 2020. While superheroes have assimilated into the Parisian society, they discover a new drug that gives themselves personal superpowers to mere mortals. Lieutenants Moreau and Schaltzmann are investigating the case with the support of two ex-superheroes, Monte Carlo and Callista. They'll do whatever it takes to dismantle the traffic. But Moreau's past resurfaces, and the investigation becomes more complicated.

Release: 2020-11-19

Pacific Rim: Uprising
Pacific Rim: Uprising (2018)

6.135/10

It has been ten years since The Battle of the Breach and the oceans are still, but restless. Vindicated by the victory at the Breach, the Jaeger program has evolved into the most powerful global defense force in human history. The PPDC now calls upon the best and brightest to rise up and become the next generation of heroes when the Kaiju threat returns.

Release: 2018-03-21