Greenland (2020)
7.123 /10
5007 Reviews
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John Garrity, his estranged wife and their young son embark on a perilous journey to find sanctuary as a planet-killing comet hurtles toward Earth. Amid terrifying accounts of cities getting levelled, the Garritys experience the best and worst in humanity. As the countdown to the global apocalypse approaches zero, their incredible trek culminates in a desperate and last-minute flight to a possible safe haven.
Videos & Photos
cast
... John Garrity
... Allison Garrity
... Ralph Vento
... Judy Vento
... Nathan Garrity
User reviews
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This type of movie is always rather divisive between critics and audiences simply due to its nature. Story-wise, it's never groundbreaking or innovative in any shape or form. These apocalyptic films always follow a formulaic screenplay, packed with logical inconsistencies, but also with tons of thrilling action. Visuals vary in quality depending on the studio, as well as sound design and other technical aspects. I always try my best to accept *everything* these movies throw irrationally at the viewer. I prepare myself to be as open-minded as I can, and usually, I have no issues with that (actually, I find the "that's not how science works" argument a bit nitpicky in this subgenre).
However, Greenland fails to deliver the only thing I did expect from it: a planet-killer comet of pure popcorn entertainment. The only positive aspects are the cast and two/three sequences genuinely exciting. Gerard Butler is already used to this sort of film (Has Fallen series, Geostorm), so he has no problems in portraying another thin character with no real motivations or depth. Same goes for Morena Baccarin, who simply plays the wife of Butler. Both deliver good performances, enough to keep me engaged until the end of the flick.
The few good sequences are really good. Little scraps of the giant comet hit Earth before the extinction-level event, and these look great. Nevertheless, just this for a 119-minute runtime is far from being satisfying. As expected, Chris Sparling's screenplay is as generic as it could be, just like Ric Roman Waugh's direction, which doesn't really offer anything remotely new. Some narrative decisions (not related to science or technology because these I just accepted as part of the usual illogical stuff) are definitely to pass the time since they have no consequences whatsoever. Greenland is precisely like dozens of other movies in the subgenre, but without the technical aspects that end up elevating the overall picture.
The VFX look dated in some sequences, almost like they didn't have enough time (or money) to finish them. I mean, a static image of a meteorite shower as the sky? Really? Sadly, this comes across as amateur and lazy. The absence of a powerful score (David Buckley) makes the action scenes feel "empty", like something is missing. A few fighting moments are pretty much impossible to see clearly due to the overly dark environment and choppy editing (Gabriel Fleming). Overall, the action walks the line between decent and terrible.
However, the most significant "slap in the face" is the planet-killer comet that everyone is going to look forward to as soon as they enter the theater. There's no way of working around this: if an entire film builds up a third act's massive comet of the side of Europe, it must show it hit the ground in all of its splendor. The gigantic explosion of ridiculous proportions, the endless smoke that fills up the whole atmosphere, the distinctive sound of the impact... This is the moment that can make or break any apocalyptic movie. Unfortunately, and I'm only going to write this, it broke.
In the end, Greenland is predictably underwhelming, packing only a couple of genuinely exciting sequences, and a decent cast. Gerard Butler and Morena Baccarin try, but they're not enough to compensate for everything else. As expected, Chris Sparling's formulaic screenplay doesn't add a unique storyline or innovative aspect to the genre, as well as Ric Roman Waugh's basic direction. This would all be fine if the action delivered what most people want to see, but sadly, this component is also quite a letdown. Despite a few occasional, riveting scenes, the entertainment levels are pretty low due to the unimpressive visual effects, lack of a powerful score, and poor editing, culminating in a "viewing-killer" disappointment. If you absolutely love apocalyptic films, maybe you'll find something enjoyable about it that I didn't. However, if this type of movie doesn't suit your preferences, then this one surely isn't going to convert you.
Rating: D+
Director:
Writer:
Chris Sparling (Writer)
Genres:
Release Date:
2020-07-29
Run Time:
120 min
MMPA Rating:
PG-13
Reviews of
Greenland
If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com
This type of movie is always rather divisive between critics and audiences simply due to its nature. Story-wise, it's never groundbreaking or innovative in any shape or form. These apocalyptic films always follow a formulaic screenplay, packed with logical inconsistencies, but also with tons of thrilling action. Visuals vary in quality depending on the studio, as well as sound design and other technical aspects. I always try my best to accept *everything* these movies throw irrationally at the viewer. I prepare myself to be as open-minded as I can, and usually, I have no issues with that (actually, I find the "that's not how science works" argument a bit nitpicky in this subgenre).
However, Greenland fails to deliver the only thing I did expect from it: a planet-killer comet of pure popcorn entertainment. The only positive aspects are the cast and two/three sequences genuinely exciting. Gerard Butler is already used to this sort of film (Has Fallen series, Geostorm), so he has no problems in portraying another thin character with no real motivations or depth. Same goes for Morena Baccarin, who simply plays the wife of Butler. Both deliver good performances, enough to keep me engaged until the end of the flick.
The few good sequences are really good. Little scraps of the giant comet hit Earth before the extinction-level event, and these look great. Nevertheless, just this for a 119-minute runtime is far from being satisfying. As expected, Chris Sparling's screenplay is as generic as it could be, just like Ric Roman Waugh's direction, which doesn't really offer anything remotely new. Some narrative decisions (not related to science or technology because these I just accepted as part of the usual illogical stuff) are definitely to pass the time since they have no consequences whatsoever. Greenland is precisely like dozens of other movies in the subgenre, but without the technical aspects that end up elevating the overall picture.
The VFX look dated in some sequences, almost like they didn't have enough time (or money) to finish them. I mean, a static image of a meteorite shower as the sky? Really? Sadly, this comes across as amateur and lazy. The absence of a powerful score (David Buckley) makes the action scenes feel "empty", like something is missing. A few fighting moments are pretty much impossible to see clearly due to the overly dark environment and choppy editing (Gabriel Fleming). Overall, the action walks the line between decent and terrible.
However, the most significant "slap in the face" is the planet-killer comet that everyone is going to look forward to as soon as they enter the theater. There's no way of working around this: if an entire film builds up a third act's massive comet of the side of Europe, it must show it hit the ground in all of its splendor. The gigantic explosion of ridiculous proportions, the endless smoke that fills up the whole atmosphere, the distinctive sound of the impact... This is the moment that can make or break any apocalyptic movie. Unfortunately, and I'm only going to write this, it broke.
In the end, Greenland is predictably underwhelming, packing only a couple of genuinely exciting sequences, and a decent cast. Gerard Butler and Morena Baccarin try, but they're not enough to compensate for everything else. As expected, Chris Sparling's formulaic screenplay doesn't add a unique storyline or innovative aspect to the genre, as well as Ric Roman Waugh's basic direction. This would all be fine if the action delivered what most people want to see, but sadly, this component is also quite a letdown. Despite a few occasional, riveting scenes, the entertainment levels are pretty low due to the unimpressive visual effects, lack of a powerful score, and poor editing, culminating in a "viewing-killer" disappointment. If you absolutely love apocalyptic films, maybe you'll find something enjoyable about it that I didn't. However, if this type of movie doesn't suit your preferences, then this one surely isn't going to convert you.
Rating: D+
Briskly paced and littered with jagged, realistic edges though it is, 'Greenland' ultimately imagines a very sentimental planetary extinction. Perhaps the highest compliment I can pay this film is that it's far better than the annual paint-by-numbers Gerard Butler movie that humanity is used to receiving.
- Jake Watt
Read Jake's full article...
https://www.maketheswitch.com.au/article/review-greenland-a-gerard-butler-flick-that-isnt-a-disaster
“Greenland” ranks well above average when it comes to disaster movies. Screenwriter Chris Sparling takes the traditional end of the world blueprint and inserts some really nice surprises and twists, making this formulaic action flick seem not as much so.
John (Gerard Butler) is in a race against time to save his wife (Morena Baccarin) and son (Roger Dale Floyd) from an alien killer comet that is hurtling towards Earth. The impact of the big one is expected in less than 24 hours, and there seems to be no hope for any survivors. While at the grocery store, John gets a terrifying message from the Department of Homeland Security alerting him that his family has been chosen to flee to a safe haven bunker in Greenland. As the trio attempt to get to the designated location, a lot starts to go wrong.
Director Ric Roman Waugh worked with Butler on “Angel Has Fallen,” and he is a good choice at the helm. He creates a world of increasing panic and lawlessness, and you’re right there along for the ride. The movie has a brisk pacing, and the stakes are high. The special effects are satisfying, especially the scenes of destruction. That is, after all, why most of us watch movies about catastrophes in the first place.
Even more admirable is that the film doesn’t fall into the trap of the typical “rah rah” patriotic disaster movie. There are no waving American flags, no slow motion masculine strutting. Instead, “Greenland” sets its bar at a much higher level, and it succeeds. This is a really well done, enjoyable popcorn movie.
Cue the epic music... and exactly the same elements, acting, cinematography, and script that are in nearly every disaster movie in the last 20 years.
Cast & Crew of
Greenland
Cast
... John Garrity
... Allison Garrity
... Ralph Vento
... Judy Vento
... Nathan Garrity
... Dale
... Colin
... Major Breen
... Twin Otter Pilot
... Ed Pruitt
... Peggy Pruitt
... Lucas
... McGhee Tyson Soldier
... Dr. Byrd
... Senior Airman Parker
... Brian
... Kenny Jones
... Debra Jones
... Ellie Jones
... Male Passenger C-17
... FEMA supervisor
... Young Soldier
... News Anchor
... Morning Show Host
... Micah
... Morning Show Host
... Security Forces Sergeant
... Bobby
... Staff Sergeant Ruiz
... Military Escort
... Military Escort
... C-17 Loadmaster
... Man with Gun
... Nice Looter
... Looter
... Blue-Collar Man
... Hispanic Driver
... Matriarch
... McGhee Tyson Soldier
... F.E.M.A. Worker
... Rebecca
... Regional News Anchor
... Ben
... Paul
... Xavier
... Twin Otter Co-Pilot
... Mother on Plane
... Passenger
Crew
... Stunts
... Stunts
... Stunts
... Stunts
... Hairstylist
... Additional Second Assistant Director
... Lighting Technician
... Best Boy Grip
... Grip
... Makeup Artist
... Hairstylist
... Electrician
... First Assistant "B" Camera
... First Assistant Camera
... Grip
... Grip
... Set Decoration
... Makeup Department Head
... First Assistant "A" Camera
... Art Direction
... Set Designer
... Rigging Grip
... Digital Imaging Technician
... Location Assistant
... Location Assistant
... Hair Department Head
... Second Second Assistant Director
... Digital Imaging Technician
... Rigging Grip
... Grip
... Electrician
... Hairstylist
... Makeup Artist
... Makeup Artist
... Production Manager
... Electrician
... Drone Pilot
... Dolly Grip
... Key Grip
... Graphic Designer
... Grip
... Second Assistant "B" Camera
... Supervising Art Director
... First Assistant Director
... Digital Imaging Technician
... Second Assistant "A" Camera
... Special Effects Makeup Artist
... Property Master
... Location Production Assistant
... Hairstylist
... "B" Camera Operator
... Unit Production Manager
... "A" Camera Operator
... First Assistant "C" Camera
... Location Manager
... Drone Pilot
... Rigging Grip
... Stunts
... Stunts
... Stunts
... Stunts
... Director
... Producer
... Producer
... Producer
... Executive Producer
... Executive Producer
... Executive Producer
... Director of Photography
... Casting
... Sound Designer
... Casting
... Visual Effects Supervisor
... Writer
... Production Design
... Unit Production Manager
... Co-Producer
... Executive Producer
... Executive Producer
... Producer
... Music Supervisor
... Original Music Composer
... Executive Producer
... Executive Producer
... Costume Designer
... First Assistant Director
... Executive Producer
... Editor
... Additional Editing
... Executive Producer
... Executive Producer
... Executive Producer
... Unit Production Manager
... Second Assistant Director
... Stunts
... Stunts
... Stunts
... Stunts
... Stunts
... Stunts
... Stunt Double
... Stunts
... Stunts
... Stunts
... Stunts
... Stunts
... Stunt Coordinator
... Stunts
... Stunts
... Stunts
... Stunts
... Stunts
... Stunts
... Stunts
... Stunts
... Stunts
... Digital Colorist
... Set Designer
... Art Department Coordinator
... Music Editor
... Script Supervisor
... Stunts
... Background Casting Director
... Craft Service
... Catering
... Legal Services
... Legal Services
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