Frankenstein (2025)

7.686 /10
2789 Reviews

Rate This Movie:

Dr. Victor Frankenstein, a brilliant but egotistical scientist, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation.

Videos & Photos

Frankenstein

cast

... Victor Frankenstein

... The Creature

... Harlander

... Elizabeth / Claire Frankenstein

... William Frankenstein

User reviews

FULL SPOILER-FREE REVIEW @ fandomwire.com/frankenstein-review/

"Frankenstein is a powerful, visceral film that solidifies Guillermo del Toro as a master of atmosphere and emotion.

Thanks to Jacob Elordi's transcendent performance as The Creature and exceptional multi-departmental work, the movie takes the legendary tale and transforms it into a deep, complex meditation on human fallibility and the terror of rejection. It's a visual and thematic experience that demands patience and personal, intellectual, and emotional investment.

Shockingly violent, it's undeniably one of the most important stories of the year. The combination of geniuses in front of and behind the camera results in a feature that confronts us with an undeniable truth: the tale of Frankenstein isn't about creating a monster; it's about the eternal and necessary challenge of recognizing our own humanity in those we reject."

Rating: A-

Director:

Guillermo del Toro

Writer:

Mary Shelley (Novel)

Guillermo del Toro (Writer)

Genres:

Drama Fantasy Horror

Release Date:

2025-10-17

Run Time:

150 min

MMPA Rating:

R

Reviews of

Frankenstein

Found 20 reviews in total

FULL SPOILER-FREE REVIEW @ fandomwire.com/frankenstein-review/

"Frankenstein is a powerful, visceral film that solidifies Guillermo del Toro as a master of atmosphere and emotion.

Thanks to Jacob Elordi's transcendent performance as The Creature and exceptional multi-departmental work, the movie takes the legendary tale and transforms it into a deep, complex meditation on human fallibility and the terror of rejection. It's a visual and thematic experience that demands patience and personal, intellectual, and emotional investment.

Shockingly violent, it's undeniably one of the most important stories of the year. The combination of geniuses in front of and behind the camera results in a feature that confronts us with an undeniable truth: the tale of Frankenstein isn't about creating a monster; it's about the eternal and necessary challenge of recognizing our own humanity in those we reject."

Rating: A-

This has got be Oscar Isaac at his best yet, depicting the obsessive scientist hell-bent on proving that he could use science to defeat death itself. He is the son of an acclaimed but rather brutal physician (Charles Dance) and is galvanised further to his chosen path by the sudden death of his mother. His theories disgust civilised society but the wealthy “Harlander” (Christophe Waltz) agrees to fund his experiments to what he hopes will be their logical conclusion. Now secreted away in his remote castle, and quite literally cannibalising spare parts from graveyards and mortuaries alike, he awaits that lightning storm that could just bring Jacob Elordi to life. The problem for the Baron is that he is disappointed with his creation and has no concept that it looks to him very much as a father. Imprisoned in the basement, the “monster” is befriended by “Elizabeth” (Mia Goth) who sympathises with it’s ghastly predicament - but before she can help a great conflagration sets in train a cat and mouse struggle between created and creator that takes them to the depths of the frozen wastes where an exploration ship is trapped in thick pack ice - where our story both starts and concludes. Isaac really does own his megalomaniac obsessive role here and the whole creative effort put into the production design turns this from simple science fiction into a multi-textured love story with it’s fair share of moral dilemmas, hate and loathing too. Elordi? Well he does bring back memories of Christopher Lee in this role, only here is is also rewarded with an extra degree of articulation and towards the end, more of a conscience and even an amount of personality - and he manages to portray his character’s frustrated and confused conflict well, if fairly sparingly. Whilst there are common points of reference with earlier iterations of this story, this enlivens it in a far more characterful and in many ways more justifiable way, and I thought it flew by. Big screen if you can, though Netflix does seem to have limited it’s cinema release quite a bit, because it might lose much of it’s stylish and gothic menace as well as it’s emotionally-charged nuance on a small screen.

I walked in at 44 minutes. The last hour and 45 has less whinging in accents. Bad Lighthouse. Swearengen in Wick 4.

I went to a restaurant and they were playing this as though it was a serious movie. One could not pass through the projector beam. I could see my hair in the letterbox. I'm glad I didn't see this all in the theatre. I watched the beginning later to see what I missed and I was not pleased.

Mia Goth touching his wound. Nice. Hoped for more from that treasure trove. Forest Spirit learns to read. Nice. Victor tries too hard in character and on screen. Fr-long-bullshit-stein.

by rssp55

Why is the creature a hot guy? WHY?

Netflix has a thing with hottening everyone lately, even Ed Gein, and I just don't get it.

As with any GDT film, it is exceedingly interesting visually, and I'd go so far as to say his visual language rivals Tim Burton in excellence. This film is a visual marvel in basically every scene, a veritable feast for the eyes.

There are some great performances, especially among the bit players: Charles Dance, Christoph Waltz, and David Bradley in particular.

The real bummer, though, is that much of the book is left out and/or reimagined, so if you like the story as it is written, you'll probably be a little disappointed as I was.

Also, read the book. It's great.

by Nick

guillermo del toro brings frankenstein back to life with so much heart and atmosphere. the world feels dark and gothic, but never without compassion. the performances hit hard, especially in how they show the creature’s loneliness and longing to be understood

Such a Terrifying entrance for the film and the Horror of what is happening that we are to be witness to.
Mia Goth is a Force to be Reckoned with, and the more you're witness to her Veracity, the more she gives each character and she is Unparalleled.
The visuals are exceedingly spectacular and colorful, and the dark hues filled with a beautiful gothic macabre to each piece, making a whole.
A new perspective comes to light, one of Loneliness, Trauma, and of Yearning to part of this life as we call it. Life lessons are being learned and lived, even if only too briefly, and then once again, the inevitable search through the loneliness continues.
Such a Beautifully Haunting version of a favorite tale I've sought after, in so many many years, to see in any incarnation. This is a must-see for fans of Gothic Literature, Especially the Frankenstein Novel.

by Dean

What a great movie! Definitely a masterpiece without any flaws. Beautifully executed. No propaganda and nonsense either. Best version of Franskenstein!

by Bri

_“An idea, a feeling became clear to me. The hunter did not hate the wolf. The wolf did not hate the sheep. But violence felt inevitable between them. Perhaps, I thought this was the way of the world. It would hunt you and kill you just for being who you are.” _

_**Frankenstein** (2025)_ is truly a gem. This reminded me a lot of the original and the connection between what is human and what is monstrous was reflected well in the script. The cinematography and editing fit this story perfectly.

Why is it always women who humanize what others perceive as dangerous? Mia Goth portrayed Elizabeth beautifully and she fits the gothic genre to a T. I love how they showed the way each character interacted with him and how one humanized him (pronouns: he) and the other dehumanized him (pronouns: it).

Some things were a little too on the nose. But Im letting it slide for the pure enjoyment and emotion the film provoked in me. If you’re going to ask if I cried, act like you know me. You know I did.

Of course, I always praise Oscar Issac for any and everything he’s in. He brings characters to life so well I’d watch a film of him watching paint dry. I didn’t know Jacob Eldori was in this until the credits and bravo to him for being a convincing son of Frankenstein. Would definitely watch this again!

"Frankenstein", Mary Shelly's epic work, is, at its heart, a cautionary tale, of man's scientific hubris, defying both God and nature.

Lets start by saying this film is, in most respects a more than decent. Acting is, for the most part, outstanding, as are the creature effects. What can be honestly said, however, is this film bears only a remote resemblance, to Shelly's novel.

The core of this story, as I see it, is a dysfunctional father son relationship. Victor Frankenstein's own failed relationship, with his father, is mirrored in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjures into existence.

Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, (I was actually in the process of re-reading Frankenstein, when this was released) it felt a little lacking.

The relationship between the creature and Frankenstein, is markedly less complex, than that portrayed in the novel. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are downplayed, in this tale. Victor Frankenstein is, for his part, more someone who has showen an horrific, irrevocable, error in judgement and is now trapped, as opposed to being overtly cruel and callous.

In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonetheless, worth a look.

"Frankenstein", Mary Shelly's epic work, is, at its heart, a cautionary tale, of man's scientific hubris, defying both God and nature.

Lets start by saying this film is, in most respects a more than decent. Acting is, for the most part, outstanding, as are the creature effects. What can be honestly said, however, is this film bears only a remote resemblance, to Shelly's novel.

The core of this story, as I see it, is a dysfunctional father son relationship. Victor Frankenstein's own failed relationship, with his father, is mirrored in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjures into existence.

Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, (I was actually in the process of re-reading Frankenstein, when this was released) it felt a little lacking.

The relationship between the creature and Frankenstein, is markedly less complex, than that portrayed in the novel. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are downplayed, in this tale. Victor Frankenstein is, for his part, more someone who has showen an horrific, irrevocable, error in judgement and is now trapped, as opposed to being overtly cruel and callous.

In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonetheless, worth a look.

"Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature.

This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what can be honestly said, is this film bears only the remotest resemblance, to Shelly's work.

The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjurs into existence.

Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking.

The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, is more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous.

In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.

"Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature.

This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what can be honestly said, is this film bears only the remotest resemblance, to Shelly's work.

The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjures into existence.

Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking.

The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, is more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous.

In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.

"Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature.

This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what can be honestly said, is this film bears only the remotest resemblance, to Shelly's work.

The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjurs into existence.

Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking.

The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, is more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous.

In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.

"Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature.

This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what can be honestly said, is this film bears only the remotest resemblance, to Shelly's work.

The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjurs into existence.

Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking.

The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, is more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous.

In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.

"Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature.

This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what can be honestly said, is this film bears only the remotest resemblance, to Shelly's work.

The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjurs into existence.

Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking.

The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, is more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous.

In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.

> "Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature.

This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what can be honestly said, is this film bears only the remotest resemblance, to Shelly's work.

The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjurs into existence.

Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking.

The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, is more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous.

In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.

> "Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature.

This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what can be honestly said, is this film bears only the remotest resemblance, to Shelly's work.

The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjures into existence.

Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking.

The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, is more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous.

In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.

"Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature.

This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what can be honestly said, is this film bears only the remotest resemblance, to Shelly's work.

The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjurs into existence.

Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, (I was actually in the process of re-reading Frankenstein, when this was released) it felt a little lacking.

The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to being cruel and callous.

In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.

"Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature.

This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what can be honestly said, is this film bears only the remotest resemblance, to Shelly's work.

The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjurs into existence.

Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking.

The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous.

In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.

"Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature.

This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what can be honestly said, is this film bears only the remotest resemblance, to Shelly's work.

The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjurs into existence.

Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking.

The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, is more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous.

In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.

Cast & Crew of

Frankenstein

Cast

... Victor Frankenstein

... The Creature

... Harlander

... Elizabeth / Claire Frankenstein

... William Frankenstein

... Leopold Frankenstein

... Blind Man

... Captain Anderson

... Young Victor Frankenstein

... Chief Officer Larsen

... Young Hunter

... Hunter's Wife

... Anna-Maria

... Dr. Udsen

... Professor Krempe

... Professor Stokeld

... Professor Maurus

... Executioner

... Old Hunter #1

... Old Hunter #2

... Silversmith

... Harlander's Butler

... Outpost Clerk

... Torfussen

... Prisoner #1

... Prisoner #2

... Prisoner #3

... Nymph

... Spinal Corpse

... Young William Frankenstein

... Head Urchin

... Dark Angel

... Woman in Confessional

... Professor Kugelmann

... Guest at Wedding and Bistro

... Bistro Dancer

... Bistro Dancer

... Bistro Dancer

... Bistro Dancer

... Bistro Dancer

... Bistro Dancer

... Bistro Dancer

... Bistro Dancer

... Bistro Dancer

... Bistro Dancer

... Bistro Dancer

... Bistro Dancer

... Bistro Dancer

... Bistro Dancer

... Bistro Dancer

... Bistro Dancer

... Additional Performances (puppeteer)

... Museum Bookshop Patron

... Student (uncredited)

Crew

... Producer

... Visual Effects Supervisor

... Visual Effects Producer

... Director of Photography

... Original Music Composer

... Concept Artist

... Set Decoration

... Concept Artist

... Concept Artist

... Camera Operator

... Concept Artist

... Prosthetic Designer

... Orchestrator

... Costume Design

... Casting

... Concept Artist

... Conductor

... Storyboard Artist

... Casting Assistant

... Orchestrator

... Production Design

... Hair Department Head

... Stunt Coordinator

... Unit Publicist

... Makeup Department Head

... Script Supervisor

... Producer

... Director

... Novel

... Editor

... Line Producer

... Producer

... Gaffer

... Visual Effects Supervisor

... Animation Supervisor

... Executive Visual Effects Producer

... Visual Effects Producer

... Visual Effects Producer

... Visual Effects Producer

... Assistant Art Director

... First Assistant Art Direction

... Construction Coordinator

... Other

... Props

... Choreographer

... Stunt Coordinator

... Sound Re-Recording Mixer

... Sound Re-Recording Mixer

... Sound Designer

... Supervising Sound Editor

... Post Production Supervisor

... First Assistant Director

... Second Assistant Director

... Second Assistant Director

... Unit Production Manager

... Unit Production Manager

... Writer

... Creature Design

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

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... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Supervising Art Director

... Set Designer

... Set Designer

... Set Designer

... Set Designer

... Set Designer

... Set Designer

... Set Dresser

... Set Dresser

... Set Dresser

... Set Dresser

... Set Dresser

... Set Dresser

... Set Dresser

... Set Dresser

... Set Dresser

... Set Dresser

... Set Decoration Buyer

... Set Decoration Buyer

... Set Decoration Buyer

... Set Decoration Buyer

... Steadicam Operator

... Production Sound Mixer

... Key Makeup Artist

... Hairstylist

... Key Hair Stylist

... Hairstylist

... Hairstylist

... Prosthetic Makeup Artist

... Prosthetic Makeup Artist

... Prosthetic Makeup Artist

... Prosthetic Makeup Artist

... Casting Associate

... Casting Associate

... Art Direction

... Art Direction

... Standby Art Director

... Set Decoration Buyer

... Sound Mixer

... Special Effects Supervisor

... Special Effects Supervisor

... Special Effects Technician

... Stunt Coordinator

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Stunts

... Supervising Sound Editor

... Sound Effects Editor

... Sound Effects Editor

... Sound Effects Editor

... Sound Effects Editor

... Foley Artist

... Foley Artist

... Foley Mixer

... Foley Mixer

... Foley Recordist

... Foley Recordist

... Foley Recordist

... Foley Recordist

... Thanks

... Thanks

... Thanks

... Thanks

... Thanks

... Thanks

... Production Coordinator

... Location Coordinator

... Location Manager

... Assistant Location Manager

... Location Manager

... Visual Effects Supervisor

... Effects Supervisor

Videos & Photos of

Frankenstein

Videos (2)

Photos 112

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Revolver (1988)

6.7/10

When a gun belonging to a police officer is stolen, it ends up in the hands of a student, who decides to use it on a yakuza who beat him recently. Now the police officer is hot on the student’s trail, and he’s determined to prevent the gun from going off.

Release: 1988-10-22

Doctor Sleep
Doctor Sleep (2019)

7.148/10

Still scarred by the trauma he endured as a child at the Overlook Hotel, Dan Torrance faces the ghosts of the past when he meets Abra, a courageous teen who desperately needs his help -- and who possesses a powerful extrasensory ability called the "shine".

Release: 2019-10-30

A Colt Is My Passport
A Colt Is My Passport (1967)

7/10

A gang lord hires Kamimura, a hit man, to take out a rival boss who's gotten greedy.

Release: 1967-02-04

The Manster
The Manster (1959)

4.484/10

An American journalist stationed in Japan is given a mysterious injection by a mad scientist, turning him into a murderous, two-headed monster.

Release: 1959-07-01

The Saga of Gösta Berling
The Saga of Gösta Berling (1924)

6.469/10

Gösta Berling is a young and attractive minister. Because of his alcoholism and his daring sermons, he is finally defrocked. He becomes a tutor of countess Marta's stepdaughter and they fall in love. But the countess has a plan of her own.

Release: 1924-03-09

Lilies of the Field
Lilies of the Field (1963)

7.229/10

An unemployed construction worker heading out west stops at a remote farm in the desert to get water when his car overheats. The farm is being worked by a group of East European Catholic nuns, headed by the strict mother superior, who believes the man has been sent by God to build a much needed church in the desert.

Release: 1963-06-04

The Year of the Wolf
The Year of the Wolf (2007)

5.813/10

Sari is a young, beautiful and intelligent girl who is busy studying at university,but she suffers from epilepsy and has to face death on a daily basis. Mikko is hersomewhat older university teacher, who is tired of life, and who one day decides toabandon his wife, children and idea of a perfect life. Both characters have been tooscared to live their lives to the brim for too long. But they meet, and in spite oftheir prejudices and reserved natures, they manage to create a dramatic and movingmodern romance which confronts numerous taboos. While the imagery explores theboundary between life and death in a most poetic way, the odd couple's romance istold with both bite and humour. Society - be it in the shape of angry ex-wives,overprotective parents, conservative aunts or embittered colleagues - is doing whatit can to put a spanner in the works."

Release: 2007-02-02

O'Romeo
O'Romeo (2026)

0/10

What fate awaits a stone-hearted gangster, a bloodthirsty womaniser, when true love claims him, helpless and unguarded- a gang war that shakes the entire underworld and crime syndicate to their very roots.

Release: 2026-02-13

The Way of the Cross
The Way of the Cross (1938)

10/10

In a small village in the Chodsko region, people live with daily worries about making a living. Many are dependent on work on the estate. Only the priest Jiří is able to stand up against the undignified conditions here, but he receives no gratitude, because the steward turns the villagers against him. Staněk, an engineer whose son Ondřej is studying at a grammar school, also works on the estate. The boy would like to continue studying law in Prague and is very surprised by his mother's wish for him to become a priest. His mother relies on the priest to talk Ondřej out of it. However, Jiří was once in the same situation, so he knows how difficult it is to perform well a mission that one has not chosen for oneself...

Release: 1938-04-15

The Rule of Three
The Rule of Three

0/10

The question that haunts three women is: "Can you change your own destiny?" as the urban myth 'Rule of Three' hunts them. But when you're not sure if what you think is happening is even the truth, how do you know if you're really in danger? The first of a planned trilogy.

Release:

The Aspern Papers
The Aspern Papers (2019)

4.455/10

A young writer tries to obtain romance letters a poet sent to his mistress.

Release: 2019-01-11

Honkytonk Man
Honkytonk Man (1982)

6.356/10

During the Great Depression, a young boy leaves his family's Oklahoma farm to travel with his country musician uncle who is trying out for the Grand Ole Opry.

Release: 1982-12-15

Fortress
Fortress (1985)

6.8/10

After being kidnapped by four masked men, a teacher and her students rebel by plotting against the criminals.

Release: 1985-11-24

Tales from Earthsea
Tales from Earthsea (2006)

6.525/10

Something bizarre has come over the land. The kingdom is deteriorating. People are beginning to act strange... What's even more strange is that people are beginning to see dragons, which shouldn't enter the world of humans. Due to all these bizarre events, Ged, a wandering wizard, is investigating the cause. During his journey, he meets Prince Arren, a young distraught teenage boy. While Arren may look like a shy young teen, he has a severe dark side, which grants him strength, hatred, ruthlessness and has no mercy, especially when it comes to protecting Teru. For the witch Kumo this is a perfect opportunity. She can use the boy's "fears" against the very one who would help him, Ged.

Release: 2006-07-29

One Dark Night
One Dark Night (1982)

5.4/10

A strange man named Karl Rhamarevich dies shortly after discovering a way to become even more powerful in death through telekinesis. On the night of his burial in a crypt, Julie is to spend the night there as part of an initiation rite, supervised by two other girls. The crypt becomes a scene of horror as Raymar returns to life and deploys his horrifying telekinetic powers.

Release: 1982-12-31

Stranger in Our House
Stranger in Our House (1979)

5.3/10

A country family of five take in charming cousin Julie, whose parents recently died in a car crash, though teenaged daughter Rachel grows suspect that she has an alternative agenda; one that possibly includes witchcraft.

Release: 1979-08-16

Charlie St. Cloud
Charlie St. Cloud (2010)

7/10

Accomplished sailor Charlie St. Cloud has the adoration of his mother Claire and his little brother Sam, as well as a college scholarship that will lead him far from his sleepy Pacific Northwest hometown. But his bright future is cut short when tragedy strikes and takes his dreams with it. After high school classmate Tess returns home unexpectedly, Charlie grows torn between honoring a promise he made four years earlier and moving forward with newfound love. As he finds the courage to let go of the past for good, Charlie discovers the soul most worth saving is his own.

Release: 2010-07-30

The Breaking Point
The Breaking Point (1950)

7.087/10

A fisherman with money problems hires out his boat to transport criminals.

Release: 1950-10-06

GO
GO (2001)

7.4/10

Sugihara, a Japanese-born, third-generation Korean teenager struggles to find a place in a society that will not accept him.

Release: 2001-10-20